Avalon Jazz Band est un
groupe-orchestre de jazz vintage franco-américain, de french-jazz vintage parisien,
formé à New York en 2012, par les jazzmen Tatiana Eva-Marie et Adrien Chevalier.
Ce groupe international de
french-jazz vintage parisien est créé à Brooklyn à New York en 2012, par les
jazzmen Tatiana Eva-Marie et Adrien Chevalier. Il est baptisé «Avalon Jazz Band»
rapport à l’île légendaire imaginaire d'Avalon du roi Arthur, de la légende
arthurienne, et se produit avec succès à New York, Paris, et en tournée
mondiale, ou il partage la scène avec Norah Jones, Harry Connick Jr., ou Stéphane
Wrembel...
Son répertoire de
compositions et de reprises de prédilection est inspiré de Standards vintages de
la chanson française et de standard de jazz américains (Great American Songbook)
de l'Ère du Jazz, Jazz Nouvelle-Orléans, hot jazz, french-swing-zazouparisien,
ou jazz manouche emblématique des années 1930 et années 1940, avec des reprises
entre autres de Django Reinhardt et Stéphane Grappelli (fondateurs du Hot Club
de France), Charles Trenet et Johnny Hess, Yves Montand, Henri Salvador, Ray
Ventura, Jean Sablon, Juliette Gréco, Lucienne Delyle, Frank Sinatra, Nat King
Cole, Fats Waller, ou Cole Porter.
Besame besame mucho
Cette chanson
d'autrefois je la chante pour toi
Besame besame mucho
Comme une histoire
d'amour qui ne finirait
pas
On l'a chantée dans les rues
Sous des ciels inconnus et dans toute la France
On la croyait
oubliée
Et pour mieux nous aimer voilà qu'elle
recommence
Besame besame mucho
Si dans un autre pays ça veut dire
embrasse-moi
Besame besame mucho
Toute ma vie, je voudrais la
chanter
avec toi
On ne demande à
l'amour
Ni serment de
toujours ni
décor fantastique
Pour nous aimer il nous faut
Simplement quelque
mots qui vont sur la musique
Besame besame mucho
Si dans un autre pays ça veut dire
embrasse-moi
Besame besame mucho
Toute ma vie, je voudrais la
chanter
avec toi
Besame besame mucho.
AUTUMN LEAVES
MANUELA MAMELI'S
SONGWRITERS:
Jacques Prévert & Joseph Kosma
PROJECT:
Jazz.Samba.Project /Français version /
WHERE:
Sweden 2011
ALBUM:
WITHOUT INFORMATIONS
LABEL:
YOUTUBE
GENRE:
JAZZ SAMBA
YEAR:
2011
"Autumn Leaves" is a French popular
song and jazz standard composed by Joseph Kosma with original lyrics by Jacques
Prévert in French, and later by Johnny Mercer in English. An instrumental
version by pianist Roger Williams was a number 1 best-seller in the US Billboard charts
of 1955.
Kosma was
a native of Hungary who was introduced to Prévert in Paris. They collaborated
on the song Les Feuilles mortes("The Dead Leaves") for the
1946 film Les Portes de la nuit (Gates of the Night)where it was sung by
Irène Joachim.Kosma was influenced by a piece of ballet music,
"Rendez-vous" written for Roland Petit, which was itself borrowed
partially from "Poème d'octobre" by Jules Massenet.The first
commercial recordings of "Les Feuilles mortes" were released in 1950,
by Cora Vaucaireand by Yves Montand.Johnny
Mercer wrote the English lyric and gave it the title "Autumn Leaves".
Mercer was a partner in Capitol Records at the time, and Capitol recording
artist Jo Stafford made the first English-language recording in July, 1950.The song was recorded steadily throughout the
1950s by leading pop vocalists including Bing Crosby(1950), Nat King Cole(1955),
Doris Day(1956), and Frank Sinatra(1957). It was also quickly adopted by instrumental
jazz artists including Artie Shaw(1950), Stan Getz(1952), Erroll Garner and Ahmad
Jamal(separately in 1955), Duke Ellington (1957), and Cannonball Adderley and Miles
Davis (together in 1958). In 2012, jazz historian Philippe Baudoin called the
song "the most important non-American standard" and noted that
"it has been recorded about 1400 times by mainstream and modern jazz
musicians alone and is the eighth most-recorded tune by jazzmen."
I DO'NT
HAVE INFORMATIONS ABOUT THE SINGER,I
HAVE MADE SOME SEARCH, BUT I DON'T HAVE CONCLUSION ABOUT IT.
Oh ! je voudrais tant que tu te souviennes
Des jours heureux où nous étions amis.
En ce temps-là la vie était plus belle,
Et le soleil plus brûlant qu'aujourd'hui.
Les feuilles mortes se ramassent à la pelle.
Tu vois, je n'ai pas oublié...
Les feuilles mortes se ramassent à la pelle,
Les souvenirs et les regrets aussi
Et le vent du nord les emporte
Dans la nuit froide de l'oubli.
Tu vois, je n'ai pas oublié
La chanson que tu me chantais.
C'est une chanson qui nous ressemble.
Toi, tu m'aimais et je t'aimais
Et nous vivions tous les deux ensemble,
Toi qui m'aimais, moi qui t'aimais.
Mais la vie sépare ceux qui s'aiment,
Tout doucement, sans faire de bruit
Et la mer efface sur le sable
Les pas des amants désunis.
Les feuilles mortes se ramassent à la pelle,
Les souvenirs et les regrets aussi
Mais mon amour silencieux et fidèle
Sourit toujours et remercie la vie.
Je t'aimais tant, tu étais si jolie.
Comment veux-tu que je t'oublie ?
En ce temps-là, la vie était plus belle
Et le soleil plus brûlant qu'aujourd'hui.
Tu étais ma plus douce amie
Mais je n'ai que faire des regrets
Et la chanson que tu chantais,
Toujours, toujours je l'entendrai !
AUTUMN LEAVES
MILES DAVIS
Songwriter:
pervert, kosma
Country:
u. s. a.
How:
trumpeter
Álbum:
autumn leaves
Label:
newsound
Genre:
jazz
Year:1997
Miles Dewey Davis III(May 26, 1926 – September 28, 1991) was an American jazz trumpeter,
bandleader, and composer. He is among the most influential and acclaimed
figures in the history of jazz and 20th-century music. Davis adopted a variety
of musical directions in a five-decade career that kept him at the forefront of
many major stylistic developments in jazz.
Born in Alton, Illinois, and
raised in East St. Louis, Davis left to study at the Juilliard School in New
York City, before dropping out and making his professional debut as a member of
saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he
recorded the Birth of the Cool sessions for Capitol Records, which were
instrumental to the development of cool jazz. In the early 1950s, Miles Davis
recorded some of the earliest hard bop music while on Prestige Records but did
so haphazardly due to a heroin addiction. After a widely acclaimed comeback
performance at the Newport Jazz Festival in 1955, he signed a long-term
contract with Columbia Records and recorded the 1957 album 'Round About
Midnight.It was his first work
with saxophonist John Coltrane and bassist Paul Chambers, key members of the
sextet he led into the early 1960s. During this period, he alternated between
orchestral jazz collaborations with arranger Gil Evans, such as the
Spanish-influenced Sketches of Spain(1960), and band recordings, such as
Milestones(1958) and Kind of Blue(1959).The latter recording remains one of the
most popular jazz albums of all time,having
sold over five million copies in the U.S.
Davis made several lineup changes
while recording Someday My Prince Will Come(1961), his 1961 Blackhawk
concerts, and Seven Steps to Heaven(1963), another mainstream success
that introduced bassist Ron Carter, pianist Herbie Hancock, and drummer Tony
Williams. After adding saxophonist Wayne Shorter to his new quintet in 1964, Davis
led them on a series of more abstract recordings often composed by the band
members, helping pioneer the post-bop genre with albums such as E.S.P (1965)
and Miles Smiles(1967), before transitioning into his electric period.
During the 1970s, he experimented with rock, funk, African rhythms, emerging electronic
music technology, and an ever-changing line-up of musicians, including
keyboardist Joe Zawinul, drummer Al Foster, and guitarist John McLaughlin. This
period, beginning with Davis' 1969 studio album In a Silent Way and
concluding with the 1975 concert recording Agharta, was the most
controversial in his career, alienating and challenging many in jazz. His
million-selling 1970 record Bitches Brew helped spark a resurgence in
the genre's commercial popularity with jazz fusion as the decade progressed.
After a five-year retirement due
to poor health, Davis resumed his career in the 1980s, employing younger
musicians and pop sounds on albums such as The Man with the Horn(1981)
and Tutu(1986). Critics were generally unreceptive but the decade
garnered the trumpeter his highest level of commercial recognition. He
performed sold-out concerts worldwide, while branching out into visual arts,
film, and television work, before his death in 1991 from the combined effects
of a stroke, pneumonia and respiratory failure. In 2006, Davis was inducted
into the Rock and Roll Hall of Fame, which recognized him as "one of the
key figures in the history of jazz." Rolling Stone described him as
"the most revered jazz trumpeter of all time, not to mention one of the
most important musicians of the 20th century," while Gerald Early called
him inarguably one of the most influential and innovative musicians of that
period.
THE
PRAYER
DAVID
FOSTER, CHRIS MANN & KATHARINE MCPHEE
SONGWRITERS:
CAROLE BAYER SAGER &
DAVID FOSTER.
DON’T
HAVE AN ALBUM UNTIL THAT MOMENT: LIVE
RECORDED
IN: HORATIO ALGER AWARDS IN WASHINGTON d.c.
GENRE: POP
YEAR: 2010
Carole Bayer Sager(born Carol
Bayer on March 8, 1947) is an American lyricist, singer, songwriter, painter,
and New York Times best-selling author.
Bayer Sager was born in Manhattan,
New York City, United States, to Anita Nathan Bayer and Eli Bayer. Her family
was Jewish. She graduated from New York University, where she majored in
English, dramatic arts, and speech. She had already written her first pop hit,
"A Groovy Kind of Love”, with Toni Wine, while still a student at New York
City's High School of Music and Art. It was recorded by the British invasion band
The Mindbenders, whose version was a worldwide hit, reaching number 2 on
the Billboard Hot 100. This song was later recorded by Sonny & Cher, Petula
Clark, and Phil Collins, the latter whose rendition for the film Buster reached
number one in 1988.
The Prayer is a song
written by David Foster, Carole Bayer Sager, Alberto Testa and Tony Renis for
the animated film The Magic Sword - Finding Camelot. The song was originally
recorded in two solo versions, one in English by the Canadian Singer Céline
Dion and one in Italian by the tenor Andrea Bocelli. The duet between the two
was recorded later and then appeared on their respective studio albums, These
Are Special Times(1998) and Dream(1999), and released as a radio single on
March 1, 1999. The song won the Golden Globe for best original song and got an Academy
Award nomination for best original song and a Grammy Award for best vocal
pop collaboration.
David Walter Foster, OC, OBC(born
November 1, 1949), is a Canadian musician, composer, arranger, record producer,
and music executive. He has been a producer for musicians including Christina
Aguilera, Mary J. Blige, Andrea Bocelli, Toni Braxton, Michael Bublé, Peter
Cetera, Chicago, John Parr, Natalie Cole, Alice Cooper, Celine Dion, Kenny G, Josh
Groban, Whitney Houston, Michael Jackson, Chaka Khan, Kenny Loggins, Jennifer
Lopez, Cheryl Lynn, Air Supply, Madonna, Olivia Newton-John, Brandy Norwood, Kenny
Rogers, Seal, Blake Shelton, Rod Stewart, Barbra Streisand, Jackie Evancho, Donna
Summer, The Corrs, Slawomir Przyborowski and Jake Zyrus. Foster has won 16 Grammy
Awards from 47 nominations. He was the chairman of Verve Records from 2012 to
2016.
Christopher Michael Mann(born
May 5, 1982) is an American singer-songwriter from Wichita, Kansas.
He came in fourth on the second
season of NBC's television singing competition The Voice in 2012. Mann came in
first on Team Christina Aguilera and represented her in the final round. His album, Constellation,
was released on May 6, 2016.
Katharine Hope McPhee
Foster (born March 25, 1984) is an American actress, singer, and songwriter. In
May 2006, she was the runner-up on the fifth season of American Idol.
Her self-titled debut
album was released on RCA Records on January 30, 2007, and debuted at number
two on the Billboard 200, selling 381,000 copies (as of December 2010). The
album's first single, "Over It", was a Pop Top 30 hit and was
certified gold in 2008. Her second album, Unbroken, was released on Verve
Forecast Records on January 5, 2010, and debuted at No. 27 on the
"Billboard 200". The album featured the single "Had It All",
which peaked at number 22 on the AC chart. It has sold 45,000 copies as of
January 2011. Her third album, the holiday-themed Christmas Is the Time to Say
I Love You, was released on October 12, 2010. The album debuted at number 11 on
the Billboard Top Holiday Albums chart, while the single "Have
Yourself a Merry Little Christmas" peaked at number 16 on the
"Billboard" AC chart. As of January 2011, this album had sold 23,000
copies. McPhee released her fourth album, Hysteria, on September 18, 2015. She
released her fifth album, I Fall in Love Too Easily, composed of jazz
standards, on November 17, 2017.
McPhee has also
established an acting career, co-starring in The House Bunny and Shark Night 3D.
She played Karen Cartwright, one of the lead roles on Smash. From 2014 to 2018,
she starred in CBS' Scorpion as Paige Dineen.
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