A DONA DO PRIMEIRO ANDAR

ORIGINAIS DO SAMBA

COMPOSITOR:LUIS CARLOS & LUCAR

PAÍS: BRASIL

ÁLBUM: É DE LEI

GRAVADORA: RCA VICTOR

GÊNERO: SAMBA

ANO: 1970

Os Originais do Samba é um grupo brasileiro de samba formado na década de 1960 no Rio de Janeiro por ritmistas de escolas de samba

O grupo começou a se apresentar em praias e baladas, incluindo a balada do Copacabana Palace.

Fixaram-se em Recife depois de excursionar pela América, e em 1968 acompanharam Elis Regina na música vencedora da I Bienal do Samba, Lapinha, de Baden Powell e P.C. Pinheiro. No ano seguinte gravaram a música "Cadê Tereza", de Jorge Ben, que fez grande sucesso. Participaram de festivais e ganharam discos de ouro pelas vendas de suas gravações, principalmente nos anos 1970, combinando o canto uníssono, a roupa padronizada e boa dose de humor.

Um dos integrantes do grupo, Mussum, integrou o humorístico Os Trapalhões ao lado de Renato Aragão, Mauro Gonçalves e Dedé Santana, logo em seguida, pediu dispensa dos Originais do Samba para se dedicar ao humor.

Completaram a formação com Coimbra (Reco-reco), Zinho (Cuíca) e Claudio (Surdo). Em 1980, gravaram um compacto simples ("Mulher, Mulher", de Jorge Ben), em 1981 um LP intitulado "Eu me Rendo" (Fábio Junior) e em 1983 o LP "Canta Meu Povo, Canta".

Tocaram com grandes nomes da música popular brasileira como Alex Luiz, Armando Geraldo, Jair Rodrigues, Vinicius de Moraes e, também, da música mundial, como Earl Grant.

Excursionaram pela Europa e Estados Unidos, e foram o primeiro conjunto de samba a se apresentar no Olympia de Paris.

Alguns de seus maiores sucessos são "Tá Chegando Fevereiro" (Jorge Ben/João Melo), "Do Lado Direito da Rua Direita" (Luiz Carlos/Chiquinho), "A Dona do Primeiro Andar", "O Aniversário do Tarzan", "Esperanças Perdidas" (Adeilton Alves/ Délcio Carvalho), "E Lá se Vão Meus Anéis" (Eduardo Gudin/ P.C. Pinheiro), "Tragédia no Fundo do Mar "(Assassinato do Camarão) (Zeré/ Ibrahim), "Se Papai Gira" (Jorge Ben) e "Nego Véio Quando Morre".

Em 2000 gravaram o 1º CD Ao Vivo com convidados como Almir Guineto, Carlos Da fé, Joãozinho Carnavalesco, Dhema, entre outros, tendo como sucesso a releitura de "A Subida do Morro", com a participação do Rapper Xis. Em 2003 gravaram um CD focado no Samba rock, regravando os principais sucessos do grupo; em 2008, com recursos próprios, lançaram o CD "A Corda Arrebenta e o Samba não Cai", com 15 músicas inéditas e 2 regravações.

Dos elementos desta fórmula do sucesso, a "experiência" traz o registro na "Enciclopédia Brasileira da Música Popular Brasileira e Clássicos do Samba".

A formação atual completa 24 anos com Juninho Originais (Vocal), Rogerio Santos (Violão), Marcos Scooby (Cavaquinho) e Bigode do Pandeiro (Vocal e Instrumentos).

A partir de 2017, sobre o gerenciamento artístico da GGPA Produções Artísticas-dos sócios Eduardo Prata, Diretor Artístico e Musical, e Jayson França, Diretor Executivo -, comunicação e projetos especiais tiveram repaginação, bem como a tipologia que traduz esse tradicional grupo da música brasileira.

No mais recente lançamento, feito em junho de 2017 e intitulado como "Ontem, Hoje e Sempre" - em parceria entre a GGPA Produções Artísticas e Sony Music Brasil - Os Originais do Samba vêm com uma roupagem moderna, sem perder a característica do samba tradicional com novas músicas e com participações especiais como Zeca Pagodinho, Benito Di Paula e Reinaldo, O Príncipe do Pagode.

Estou apaixonado, apaixonado estou

Estou apaixonado, apaixonado estou

Pela dona do primeiro andar

Pela dona do primeiro andar

Peladona ... do primeiro andar

Pela dona do primeiro andar

Pela dona do primeiro andar

Peladona

Seu sorriso de criança era o que eu mais queria

Implorei o seu amor ao menos por um dia

Agora estou sofrendo, apaixonado estou

Pela dona do primeiro andar

Pela dona do primeiro andar

Pela dona do primeiro andar

Pela dona do primeiro andar

Peladona...do primeiro andar

Pela dona do primeiro andar

Pela dona do primeiro andar

Pela dona do primeiro andar

Peladona...

Toda manhã desce comigo no elevador

Insiste sempre em olhar pro chão

Mal ela sabe que o seu corpo sedutor

Já machucou todo o meu coração

Pela dona do primeiro andar

Pela dona do primeiro andar

Pela dona do primeiro andar

Pela dona... do primeiro andar

Pela dona do primeiro andar.

Tom: A

[Intro] Gm7  C7(9)  Gm7  C7(9)

        Gm7  C7(9)  Gm7

                   C7(9)          Gm7  C7(9)

Estou apaixonado, apaixonado estou

Gm7            C7(9)              Gm7  G7

Estou apaixonado, apaixonado estou

      Cm7               F7

Pela dona do primeiro andar

     Bb7M              Eb7M

Pela dona do primeiro andar         

     Am7(b5)             D7(9-)

Pela dona  do primeiro andar

     Gm7                   G7

Pela dona... do primeiro andar

      Cm7               F7

Pela dona do primeiro andar

     Bb7M              Eb7M

Pela dona do primeiro andar         

     Am7(b5)             D7(9-)

Pela dona  do primeiro andar

    Gm7    D7

Peladona  

Am7(b5)           D7   Gm7

Seu sorriso de criança era o que eu mais queria

     Cm7        F7                   Bb7M   G7

Implorei o seu amor ao menos por um dia

 Cm7             F7   Bb7M         Eb7M

Agora estou sofrendo, apaixonado estou

      Cm7              D7

Pela dona do primeiro andar

     Gm7                G7

Pela dona do primeiro andar  

[Refrão]

( Am7  D7 )

      G7M          Am7          Bm7   E7(b9)

Toda manhã desce comigo no elevador

         Am7         D7       G7M   D7

Insiste sempre em  olhar pro chão

         G7M           Am7        Bm7   E7(b9)

Mal ela sabe que o seu corpo sedutor

        Am7            D7      Gm7    G7

Já machucou todo o meu co....ração

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DUMMY SONG

LOUIS ARMSTRONG

SONGWRITERS: BROWN LEW, HENDERSON RAY & ROSE BILLY

COUNTRY: U. S. A.

ALBUM: DUMMY SONG - 45

LABEL: DECCA RECORDS

GENRE: JAZZ

YEAR: 1953

Louis Armstrong (1901–1971), nicknamed Satchmo or Pops, was an American trumpeter, composer, singer and occasional actor who was one of the most influential figures in jazz and in all of American popular music. His career spanned five decades, from the 1920s to the 1960s, and different eras in jazz.

Coming to prominence in the 1920s as an "inventive" trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. With his instantly recognizable gravelly voice, Armstrong was also an influential singer, demonstrating great dexterity as an improviser, bending the lyrics and melody of a song for expressive purposes. He was also skilled at scat singing.

Renowned his charismatic stage presence and voice almost as much as for his trumpet-playing, Armstrong's influence extends well beyond jazz music, and by the end of his career in the 1960s, he was widely regarded as a profound influence on popular music in general. Armstrong was one of the first truly popular African-American entertainers to "cross over", whose skin color was secondary to his music in an America that was extremely racially divided. He rarely publicly politicized his race, often to the dismay of fellow African-Americans, but took a well-publicized stand for desegregation in the Little Rock Crisis. His artistry and personality allowed him socially acceptable access to the upper echelons of American society which were highly restricted for black men of his era. 

I'll take the legs from some old table

I'll take the arms from some old chair

I'll take the neck from some old bottle

And from a horse I'll take the hair

I'll take the hands and face from some old clock

And baby, when I'm through

I'll get more loving from the dum, dum, dummy

Than I ever got from you

Get me some legs, get me a chair

And a bottle, too

Give me a horse, give me some time

And baby, when I'm through

I'll take the legs from some old table

I'll take the arms from some old chair

I'll take the neck from some old bottle

And from a horse I'll take the hair

I'll take the hands and face from some old clock

And baby, when I'm through

I'll get more loving from the dum, dum, dummy

Than I ever got from you

I get more loving

From that dum, dum, dummy

Than I've ever gotten from you

Yeah, mama, get more loving

From a dummy than I get from you.

IF WE HOLD ON TOGETHER

DIANA ROSS

SONGWRITERS: JAMES HORNER & WILL JENNINGS

COUNTRY: U. S. A.

ALBUM: THE LAND BEFORE TIME

LABEL: MCA RECORDS

GENRE: R & B

YEAR: 1988

"If We Hold on Together" is the theme song to the 1988 film The Land Before Time, and is performed by Diana Ross. Played during the film's ending credits, it was released on the film's soundtrack as well as the Ross álbum The Force Behind the Power. The song was written by James Horner and Will Jennings. Released as a single it reached the top 30 on the US adult contemporary chart, as well as giving Ross her biggest hit ever in Japan (Nº. 1) and later reaching Nªº. 11 in the UK.

"If We Hold on Together" was covered by Anndi McAfee and Aria Curzon, the voices of Cera and Ducky in The Land Before Time series since the fifth film, for The Land Before Time: Sing-Along Songs in 1997.

Diana Ross (born March 26, 1944) is an American singer, actress, and record producer. Born and raised in Detroit, Michigan, Ross rose to fame as the lead singer of the vocal group The Supremes, who during the 1960s became Motown's most successful act, and are the best-charting female group in US history, as well as one of the world's best-selling girl groups of all time. The group released a record-setting twelve number-one hit singles on the US Billboard Hot 100: "Where Did Our Love Go", "Baby Love", "Come See About Me", "Stop! In the Name of Love", "Back in My Arms Again", "I Hear a Symphony", "You Can't Hurry Love", "You Keep Me Hangin' On", "Love is Here and Now You're Gone", "The Happening", "Love Child", and "Someday We'll Be Together".

Following her departure from the Supremes in 1970, Ross released her eponymous debut solo album that same year, featuring the No. 1 Pop hit "Ain't No Mountain High Enough". She later released the álbum Touch Me in the Morning in 1973; its title track was her second solo No. 1 hit. She continued a successful solo career through the 1970s, which included hit albums like Mahogany and Diana Ross and their No. 1 hit singles, "Theme from Mahogany" and "Love Hangover", respectively. Her 1980 album Diana produced another Nº. 1 single, "Upside Down", as well as the international hit "I'm Coming Out". Her final single with Motown during her initial run with the company achieved her sixth and final US number-one Pop hit, the duet "Endless Love" featuring Lionel Richie, whose solo career was launched with its success.

Ross has also ventured into acting, with a Golden Globe Award-winning and Academy Award-nominated performance in the film Lady Sings the Blues (1972); she recorded its soundtrack, which became a number one hit. She also starred in two other feature films, Mahogany (1975) and The Wiz (1978), later acting in the television films Out of Darkness (1994), for which she also was nominated for a Golden Globe Award, and Double Platinum (1999).

She is the only female artist to have number one singles as a solo artist; as the other half of a duet (Lionel Richie); as a member of a trio; and as an ensemble member (We are the World-USA for Africa). In 1976, Ross was named the "Female Entertainer of the Century" by Billboard magazine. Guinness Book of World Records recognized her success in the United States and United Kingdom for having more hits than any female artist in the charts, with a career total of 70 hit singles with her work with the Supremes and as a solo artist. She had a top 10 UK hit in every one of the last five decades, and sang lead on a top 75 hit single at least once every year from 1964 to 1996 in the UK, a period of 33 consecutive years and a record for any performer.

In 1988, Ross was inducted to the Rock and Roll Hall of Fame as a member of the Supremes, alongside Mary Wilson and Florence Ballard. She was the recipient of the Kennedy Center Honors in 2007, the Grammy Lifetime Achievement Award in 2012, and the Presidential Medal of Freedom in 2016. Ross is also one of the few recording artists to have two stars on the Hollywood Walk of Fame—one as a solo artist and the other as a member of the Supremes. In Billboard magazine's Greatest of All Time Hot 100 Artists chart, she ranked 16th as the lead singer of the Supremes and 26th as a solo artist. Diana Ross ranks among the Top 5 artists on the Billboard Hot 100 from 1955 to date when combining her solo and Supremes' hits.

Don't lose your way

With each passing day

You've come so far

Don't throw it away

Keep believing

Dreams are for living

Wonders are waiting to start

Live your story

Faith hope and glory

Hold to the truth

In your heart

If we hold on together

I know our dreams

Will never die

Dreams see us through

To forever

Where clouds roll by

For you and I

Souls in the wind

Must learn how to bend

Seek out a star

Hold on to the end

Valleys, mountains

There is a fountain

Washes our tears

All away

Worlds are swaying

Someone is praying

Please let us come

Home to stay

If we hold on together

I know our dreams

Will never die

Dreams see us through

To forever

Where clouds roll by

For you and I

When we are out there

In the dark

We'll dream about the sun

In the dark

We'll feel the light

Warm our hearts

Everyone

If we hold on together

I know our dreams

Will never die

Dreams see us through

To forever

As high

As souls can fly

The clouds roll by

For you and I.