O FILHO QUE EU QUERO TER
TOQUINHO
COMPOSITOR: VINÍCIUS DE MORAES
PAÍS: BRASIL
ÁLBUM: VINÍCIUS/TOQUINHO
GRAVADORA: PHILIPS RECORDS
GÊNERO: ACALANTO
ANO: 1975

Toquinho, nome artístico de Antonio Pecci Filho, (São Paulo, 6 de julho de 1946) é um cantor, compositor e violonista brasileiro.
Antonio Pecci Filho nasceu em 6 de julho de 1946, na cidade de São Paulo. O apelido Toquinho foi dado por sua mãe e já aos quatorze anos ele começou a ter aulas de violão com Paulinho Nogueira. Estudou harmonia com Edgar Janulo, violão clássico com Isaías Sávio, orquestração com Leo Peracchi e Oscar Castro Neves
Em 1970 compôs, com Jorge Ben, seu primeiro grande sucesso, Que Maravilha. Ainda nesse ano, Vinicius de Moraes o convidou para participar de espetáculos em Buenos Aires, formando uma sólida parceria que durou onze anos (e encerrou-se com a morte de Vinicius de Moraes), 120 canções, 25 discos e mais de mil espetáculos. Entre as composições da parceria destacam-se: O Bem-amado, Como dizia o poeta, Carta ao Tom 74, entre outras.
Toquinho foi muito amigo de Vinicius de Moraes e diz "Aproveitei Vinicius até o fim" porque moravam juntos e estava no momento da morte do eterno parceiro.
Em 1983, lançou seu maior sucesso entre as crianças: Aquarela. E assim ficou para sempre marcado na história da música brasileira.
É comum a gente sonhar, eu sei, quando vem o entardecer
Pois eu também dei de sonhar um sonho lindo de morrer
Vejo um berço e nele eu me debruçar com o pranto a me correr
E assim chorando acalentar o filho que eu quero ter
Dorme, meu pequenininho, dorme que a noite já vem
Teu pai está muito sozinho de tanto amor que ele tem

De repente eu vejo se transformar num menino igual à mim
Que vem correndo me beijar quando eu chegar lá de onde eu vim
Um menino sempre a me perguntar um porque que não tem fim
Um filho a quem só queira bem e a quem só diga que sim
Dorme menino levado, dorme que a vida já vem
Teu pai está muito cansado de tanta dor que ele tem

Quando a vida enfim me quiser levar pelo tanto que me deu
Sentir-lhe a barba me roçar no derradeiro beijo seu
E ao sentir também sua mão vedar meu olhar dos olhos seus
Ouvir-lhe a voz a me embalar num acalanto de adeus
Dorme meu pai sem cuidado, dorme que ao entardecer
Teu filho sonha acordado, com o filho que ele quer ter.
SINAL FECHADO
PAULINHO DA VIOLA
COMPOSITOR: PAULINHO DA VIOLA
PAÍS: BRASIL
ÁLBUM: FOI UM RIO QUE PASSOU NA MINHA VIDA
GRAVADORA: EMI MUSIC BRASIL LTDA.
GÊNERO: SAMBA
ANO: 1970

Paulo César Batista de Faria, mais conhecido como Paulinho da Viola, (Rio de Janeiro, 12 de novembro de 1942) é um violonista, cavaquinista, bandolinista, cantor e compositor de samba e choro brasileiro, conhecido por suas harmonias sofisticadas e sua voz suave e gentil.
Filho mais velho do violonista Benedicto Cesar Ramos de Faria, integrante da primeira formação do grupo de choro Época de Ouro, Paulinho da Viola nasceu no bairro de Botafogo em 1942 e desde pequeno gostava de ouvir choros e sambas. Assim, teve a oportunidade de conviver com grandes chorões da época, como Pixinguinha, Jacob do Bandolim e Dilermando Reis, entre outros, observando a maneira de tocar dos músicos.
Embora o pai não desejasse que o filho se tornasse músico, este, contudo, o convenceu a lhe dar um violão, instrumento que começou a aprender a tocar sozinho, aos 15 anos e, logo depois com o violinista Zé Maria, amigo da família, que o instruiu com o método de Matteo Carcassi.
Já em 1965, participou do musical "Rosa de Ouro", montado por Kléber Santos e Hermínio Bello de Carvalho, que marcou o retorno de Araci Cortes e lançou Clementina de Jesus, e que culminaram na gravação do LP Rosa De Ouro Vol.1, pela Odeon. Ainda naquele ano, o nome de Paulinho da Viola apareceu no LP Roda de Samba, da Musidisc. Essa gravadora, a mesma onde Paulinho estava registrando seus sambas, pediu para Zé Ketti organizar o conjunto A Voz do Morro, composto por integrantes do conjunto Rosa de Ouro - Anescar do Salgueiro, Elton Medeiros, Jair do Cavaquinho, Nelson Sargento e Paulinho - e acrescidos de Oscar Bigode, Zé Cruz e o próprio Ketti. No processo de finalização desse álbum, um funcionário da Musidic não gostou do nome “Paulo César” e, tendo conhecimento da anedota, o jornalista Sérgio Cabral e Zé Ketti bolaram o nome artístico Paulinho da Viola. Nesse primeiro disco, aparecem as composições "Coração vulgar", "Conversa de malandro" e "Jurar com lágrimas".
No início de carreira Paulinho foi parceiro de nomes ilustres do samba carioca, como Cartola, Elton Medeiros e Candeia, entre outros. Destaca-se como cantor e compositor de samba, mas também compõe choros e é tido como um dos mais talentosos representantes da chamada Música Popular Brasileira. Torcedor do Vasco da Gama, participou do show comemorativo dos 113 anos do clube, onde apresentou as músicas "Coração Leviano" e "Foi um Rio que Passou em Minha Vida"
Olá, como vai?
Eu vou indo e você, tudo bem?
Tudo bem eu vou indo correndo
Pegar meu lugar no futuro, e você?
Tudo bem, eu vou indo em busca
De um sono tranquilo, quem sabe
Quanto tempo, pois é
Quanto tempo?

Me perdoe a pressa
É a alma dos nossos negócios
Oh! Não tem de quê
Eu também só ando a cem
Quando é que você telefona?

Precisamos nos ver por aí
Pra semana, prometo talvez nos vejamos
Quem sabe?
Quanto tempo?
Pois é, quanto tempo?

Tanta coisa que eu tinha a dizer
Mas eu sumi na poeira das ruas
Eu também tenho algo a dizer
Mas me foge a lembrança

Por favor, telefone, eu preciso
Beber alguma coisa, rapidamente
Pra semana

O sinal
Eu procuro você
Vai abrir, vai abrir
Prometo, não esqueço
Por favor, não esqueça, não esqueça, não esqueça
Adeus.
JAILBREAK
AC/DC
SONGWRITERS: ANGUS YOUNG; BON SCOTT & MALCOLM YOUNG
COUNTRY: AUSTRALIANE
ALBUM: ’74 JAILBREAK
LABEL: ATLANTIC RECORDS
GENRE: HARD ROCK
YEAR: 1984

AC/DC (stylized as ACϟDC) are an Australian rock band formed in Sydney in 1973 by Scottish-born brothers Malcolm and Angus Young. Although their music has been variously described as hard rock, blues rock, and heavy metal, the band themselves call it simply "rock and roll".
AC/DC underwent several line-up changes before releasing their first album, 1975's High Voltage. Membership subsequently stabilised around the Young brothers, singer Bon Scott, drummer Phil Rudd, and bassist Mark Evans. Evans was fired from the band in 1977 and replaced by Cliff Williams, who has appeared on every AC/DC album since 1978's Powerage. In February 1980, Scott died of acute alcohol poisoning after a night of heavy drinking. The group considered disbanding but elected to stay together, bringing in longtime Geordie vocalist Brian Johnson as Scott's replacement. Later that year, the band released their first album with Johnson, Back in Black, which was dedicated to Scott's memory. The album launched AC/DC to new heights of success and became one of the bestselling albums of all time.
The band's eighth studio album, For Those About to Rock We Salute You (1981), was their first album to reach number one in the United States. Prior the release of 1983's Flick of the Switch, drummer Rudd left the band and was replaced by Simon Wright, being in turn replaced by Chris Slade in 1989. The band experienced a commercial resurgence in the early nineties with the release of 1990's The Razors Edge. Rudd returned to the band in 1994, replacing Slade and appearing on the band's next four albums. Their fifteenth studio álbum Black Ice was the second-highest-selling album of 2008, and their biggest chart hit since For Those About to Rock, eventually reaching No.1 worldwide.
The band's line-up remained the same until 2014 with Malcolm Young's retirement due to early-onset dementia (he later died in 2017) and Rudd's legal troubles. In 2016, Johnson was advised to stop touring due to worsening hearing loss. Guns N' Roses frontman Axl Rose stepped in as the band's vocalist for the remainder of that year's dates. Long-term bass player and background vocalist Cliff Williams retired from the band at the end of their 2016 Rock or Bust World Tour and the group has been inactive since then. Nevertheless, they have not officially disbanded and unconfirmed reports of a new album and tour with the surviving Back in Black-era lineup continue to circulate.
AC/DC have sold more than 200 million records worldwide, including 71.5 million albums in the United States, making them the tenth highest-selling artist in the United States and the 14th bestselling artist worldwide. Back in Black has sold an estimated 50 million units worldwide, making it the third highest-selling album by any artist, and the highest-selling album by any band. The album has sold 22 million units in the US, where it is the sixth highest-selling album of all time. AC/DC ranked fourth on VH1's list of the "100 Greatest Artists of Hard Rock" and were named the seventh "Greatest Heavy Metal Band of All Time" by MTV. In 2004, AC/DC ranked No. 72 on the Rolling Stone list of the "100 Greatest Artists of All Time". Producer Rick Rubin, who wrote an essay on the band for the Rolling Stone list, referred to AC/DC as "the greatest rock and roll band of all time". In 2010, VH1 ranked AC/DC number 23 in its list of the "100 Greatest Artists of All Time".
'74 Jailbreak is an EP by Australian rock band AC/DC, released in 1984. It is composed of five tracks that had previously been released only in Australia. Despite the EP's title, the song "Jailbreak" was actually recorded in 1976 and was originally released that year on the Australian version of the Dirty Deeds Done Dirt Cheap album. The EP's four other tracks were originally released on the Australian version of the band's debut album, High Voltage, recorded in 1974 and released early the following year
The song "Jailbreak" was released as a single with accompanying music video in 1983. The '74 Jailbreak EP was re-released worldwide in 2003 as part of the AC/DC Remasters series.
There was a friend of mine on murder
And the judge's gavel fell
Jury found him guilty
Gave him sixteen years in hell

He said: I ain't spending my life here
I ain't living alone
Ain't breaking no rocks on the chain gang
I'm breakin' out and headin' home

Gonna make a jailbreak
And I'm lookin' towards the sky
I'm gonna make a jailbreak
Oh, how I wish that I could fly

All in the name of liberty
Got to be free

Jailbreak, let me out of here
Jailbreak, sixteen years, ah
Jailbreak, had more than I can take
Jailbreak, yeah

He said, he'd seen his lady
Being fooled with by another man
She was down and he was up
Had a gun in his hand

Bullets started flying everywhere
And people started to scream
Big man lying on the ground
With a hole in his body
Where his life had been

But it was all in the name of liberty
All in the name of liberty
I got to be free

Jailbreak, jailbreak
I got to break out
Out of here

Heartbeats, they were racin'
Freedom, he was chasin'
Spotlights, sirens, rifles firing
But he made it out
With a bullet in his back
Jailbreak.
IT’S ONLY A PAPER MOON
NAT KING COLE
SONGWRITERS: BILLY ROSE; E.Y. YIP HARBURG & HAROLD ARLEN
COUNTRY: U. S. A.
ÁLBUM: NAT KING COLE THR BEST OF
LABEL: RCA VICTOR
GENRE: JAZZ
YEAR: 1953

Nathaniel Adams Coles was born in Montgomery, Alabama, on March 17, 1919. He had three brothers: Eddie (1910–1970), Ike (1927–2001), and Freddy (1931-2020), and a half-sister, Joyce Coles. Each of the Cole brothers pursued careers in music. When Nat King Cole was four years old, the family moved to Chicago, Illinois, where his father, Edward Coles, became a Baptist minister.
Cole learned to play the organ from his mother, Perlina Coles, the church organist. His first performance was "Yes! We Have No Bananas" at the age of four. He began formal lessons at 12, learning jazz, gospel, and classical music on piano "from Johann Sebastian Bach to Sergei Rachmaninoff". As a youth, he joined the news delivery boys' "Bud Billiken Club" band for The Chicago Defender.
The Cole family moved to the Bronzeville neighborhood of Chicago, where he attended Wendell Phillips Academy High School, the school Sam Cooke attended a few years later. He participated in Walter Dyett's music program at DuSable High School. He would sneak out of the house to visit clubs, sitting outside to hear Louis Armstrong, Earl Hines, and Jimmie Noone.
"It's Only a Paper Moon" is a popular song published in 1933 with music by Harold Arlen and lyrics by Yip Harburg and Billy Rose.
It was originally titled "If You Believed in Me," but later went by the more popular title "It's Only a Paper Moon." The song was written for an unsuccessful 1932 Broadway play called The Great Magoo that was set in Coney Island. Claire Carleton first performed this song on December 2, 1932. It was used in the movie Take a Chance in 1933 when it was sung by June Knight and Charles "Buddy" Rogers. Paul Whiteman recorded a hit version later that year, featuring Bunny Berigan on trumpet and Peggy Healy on vocals. Another popular 1933 recording was done by Cliff Edwards.
The song's lasting fame stems from its revival by popular artists during the last years of World War II, with hit recordings being made by Nat King Cole, Ella Fitzgerald, and Benny Goodman (vocal by Dottie Reid). It is now regarded as a jazz and pop standard, and has been recorded by numerous artists over the years.
When "It's Only A Paper Moon", written by Yip Harburg and Billy Rose and composed by Harold Arlen, was published in 1933, it was titled "If You Believed in Me", and was created for a short-live Broadway show "The Great Magoo".
Producer Billy Rose interpolated "It's Only a Paper Moon" for his Broadway show "Crazy Quilt" in 1933. The same year, the song was featured in the film "Take a Chance". Various artists began to record the song which led to its increasing popularity over the years.
Said it is only a paper moon
Sailing over a cardboard sea,
But it wouldn't be make believe
If you believed in me.

Say it is only a canvas sky
Hanging over a muslin tree,
But it wouldn't be make believe
If you believed in me.

Without your love,
It's a honky-tonk parade.
Without your love,
It's a melody played in a penny arcade.

It's a barnum and bailey world,
Just as phony as it can be,
But it wouldn't be make believe
If you believed in me.

~interlude~

Without your love,
It's a honky-tonk parade.
Without your love,
It's a melody played in a penny arcade.

It's a barnum and bailey world
Just as phony as it can be,
But it wouldn't be make believe
If you believed in me.