FEEL NO PAIN

SADE ADU
SONGWRITERS: ANDREW HALE; SADE ADU & STUART MATTHEWMAN
COUNTRY: U. K.
ALBUM: LOVE LUXE
LABEL: EPIC RECORDS
GENRE: SOUL
YEAR: 1992
 
          Sade (/ʃɑːˈdeɪ/shah-DAY) are an English band, formed in London in 1982 and named after their lead singer, Sade Adu. Three of their members were originally from Hull in the East Riding of Yorkshire. Their music features elements of soul, quiet storm, smooth jazz and sophisti-pop.
         The band's debut studio album, Diamond Life (1984), reached number two on the UK Album Chart, selling over 1.2 million copies and won the Brit Award for Best British Album in 1985. The album was also a hit internationally, reaching number one in several countries and the top ten in the United States, where it has sold four million copies to date. In late 1985, the band released their second studio effort Promise, which peaked at number one in both the United Kingdom and the US. It was certified double platinum in the UK and quadruple platinum in the US. In 1986 Sade won a Grammy Award for Best New Artist. Their fifth studio album, Lovers Rock (2000), won the Grammy Award for Best Pop Vocal Album. Their sixth studio album, Soldier of Love (2010), peaked at number four in the UK and number one in the US. In 2011, the band won their fourth Grammy for Best R&B Performance by a Duo or Group with Vocals.
              Sade's US certified sales so far stand at 23.5 million units according to the Recording Industry Association of America (RIAA), and have sold more than 75 million records worldwide to date. The band were ranked at No. 50 on VH1's list of the "100 Greatest Artists of All Time".
         Love Deluxe is the fourth studio album by English band Sade. It was released in the United States on 26 October 1992 and in the United Kingdom on 1 November 1992 by Epic Records.

Mama been laid off
Papa been laid off
My brother's been laid off
For more than two years now
Ooh can't get a job
Billy can't get a job
Ooh they gotta listen to the blues
 
Help them to strive
Help them to move on
Help them to have some future
Help them to live long
Help them to live life
Help them to smile
Don't let them stay home and listen to the blues
 
Mama been laid off
Papa been laid off
Billy can't get a job
For too long too long
Don't let them lose
We gotta give them a chance
It's gonna come back on everyone
If you don't make them dance
Don't let them stay home and listen to the blues
 
There's nothing sacred (why, why, why)
Breathing hatred
We have to face it (why, why, why)
No one can take it
And feel no pain
 
Mama been laid off
Papa been laid off
My brother's been laid off
For more than two years now
Ooh can't get a job
Billy can't get a job
Ooh they gotta listen to the blues
 
Help them to strive
Help them to move on
Help them to have some future
Help them to live long
Help them to live life
Help them to smile
Don't let them stay home and listen to the blues
 
One day we're gonna wake up
And the ghetto's all around
All over my friend
Have you ever seen a man break down
 
Do you know how that feels
To walk the street with your head held high
Why, why, why
Oh lord have mercy
Did you ever see a man break down
 
There's nothing sacred
Breathing hatred
We have to face it
No-one can take it (how can they take that much)
And feel no pain
Oh, did you ever see a man break down. 

HARDER TO BREATH
MAROON 5
SONGWRITER: ADAM LEVINE & JESSE CARMICHAEL
COUNTRY: U. S.A.
ALBUM: SONGS ABOUT JANE
LABEL: OCTONE
GENRE: FUNK ROCK
YEAR: 2002
 
             "Harder to Breathe" is a song by American band Maroon 5. The song was written by frontman Adam Levine for the band's debut album, Songs About Jane (2002). The song expresses tension, having been written quickly under trying circumstances. It tells the story about a former relationship Levine was involved in. "Harder to Breathe" was met with positive reception by music critics, who praised the track's sound. It was released in 2002 as the lead single of Songs About Jane.
       The song peaked at number six on Airplay Monitor. In spite of Maroon 5's later mainstream success, it also appeared on the Alternative Songs chart at number 31 and the Billboard Hot 100 at number 18. Internationally, the single charted at number 13 in the United Kingdom. "Harder to Breathe" also appeared in the Netherlands, Sweden, Australia, and New Zealand charts, respectively.
             "Harder to Breathe" was included from Maroon 5's 2004 EP 1.22.03.Acoustic in an acoustic version and the live album Live – Friday the 13th (2005).

How dare you say that my behavior is unacceptable
So condescending unnecessarily critical
I have the tendency of getting very physical
So watch your step cause if I do you'll need a miracle
 
You drain me dry and make me wonder why I'm even here
This double vision I was seeing is finally clear
You want to stay but you know very well I want you gone
Not fit to funkin' tread the ground I'm walking on
 
When it gets cold outside and you got nobody to love
You'll understand what I mean when I say
There's no way we're gonna give up
And like a little girl cries in the face
Of a monster that lives in her dreams
Is there anyone out there?
Cause it's getting harder and harder to breathe
Is there anyone out there?
Cause it's getting harder and harder to breathe
 
What you are doing is screwing things up inside my head
You should know better you never listened to a word I said
Clutching your pillow and writhing in a naked sweat
Hoping somebody someday, will do you like I did?
 
When it gets cold outside and you got nobody to love
You'll understand what I mean when I say
There's no way we're gonna give up
And like a little girl cries in the face
Of a monster that lives in her dreams
Is there anyone out there?
Cause it's getting harder and harder to breathe
Is there anyone out there?
Cause it's getting harder and harder to breathe
 
Does it kill?
Does it burn?
Is it painful to learn?
That it's me that has all the control
 
Does it thrill?
Does it sting?
When you feel what I bring
And you wish that you had me to hold
 
When it gets cold outside and you got nobody to love
You'll understand what I mean when I say
There's no way we're gonna give up
And like a little girl cries in the face
Of a monster that lives in her dreams
Is there anyone out there?
Cause it's getting harder and harder to breathe
Is there anyone out there?
Cause it's getting harder and harder to breathe
Is there anyone out there?
Cause it's getting harder and harder to breathe.

PLEASE, PLEASE, PLEASE, LET ME GET WHAT I WANT

THE SMITHS
SONGWRITERS: JOHNNY MARR & MORRISEY
COUNTRY:
ALBUM: HATFUL OF HOLLOW
LABEL: ROUGH TRADE
GENRE: ALTERNATIVE ROCK
YEAR: 1984
 
             The Smiths were an English rock band formed in Manchester in 1982. Consisting of vocalista Morrissey, guitarist Johnny Marr, bassist Andy Rourke, and drummer Mike Joyce, critics consider the band one of the most important to emerge from the British independent music scene of the 1980s. Internal tensions led to their break up in 1987 and subsequent offers to reunite have been refused. In 2012, all four Smiths' studio albums (and a compilation) appeared on Rolling Stone's list of the "500 Greatest Albums of All Time", while "William, It Was Really Nothing" and "How Soon Is Now?" were included in the "500 Greatest Songs of All Time" list.
Based on the songwriting partnership of Morrissey and Marr, the Smiths' focus on a guitar, bass, and drum sound, and fusion of 1960s rock and post-punk, were a rejection of the synthesiser-based dance-pop of the time. Marr's Rickenbacker guitar work was reminiscent of the jangle pop sound of Roger McGuinn from the Byrds. Morrissey's complex, literate lyrics combined themes of ordinary lives with mordant humour.
          The Smiths were signed to the independent label Rough Trade Records. Several Smiths singles reached the top 20 of the UK Singles Chart and all of their studio albums reached the top five of the UK Albums Chart, including the number-one album Meat Is Murder (1985). They achieved mainstream success in Europe with The Queen Is Dead (1986) and Strangeways, Here We Come (1987), both of which entered the top twenty of the European Albums Chart. Their live álbum Rank (1988) reached the top 10 in Europe.
           "Please, Please, Please, Let Me Get What I Want" is a song by the English rock band the Smiths. It was released as the B-side of "William, It Was Really Nothing" in 1984 and later featured on the compilation albums Hatful of Hollow and Louder Than Bombs. It has been covered by numerous other artists.

Good times, for a change
See, the luck I've had
Can make a good man turn bad
 
So please please please
Let me, let me, let me
Let me get what I want
This time
 
Haven't had a dream in a long time
See, the life I've had
Can make a good man bad
 
So for once in my life
Let me get what I want
Lord knows it would be the first time
Lord knows it would be the first time. 

HYMN TO HER

THE PRETENDERS
SONGWRITER: MEG KEENE
COUNTRY: U. K. & U. S. A.
ALBUM: GET CLOSE
LABEL: WARNER MUSIC GROUP
GENRE: SOFT ROCK
YEAR: 1986
 
              The Pretenders are an English–American rock band formed in March 1978. The original band consisted of founder and main songwriter Chrissie Hynde (lead vocals, rhythm guitar), James Honeyman-Scott (lead guitar, backing vocals, keyboards), Pete Farndon (bass guitar, backing vocals), and Martin Chambers (drums, backing vocals, percussion). Following the deaths of Honeyman-Scott and Farndon in 1982 and 1983, the band experienced numerous personnel changes; Hynde has been the band's only consistent member.
        The Pretenders' hit songs include "Brass in Pocket" (1979), "Talk of the Town" (1980), "Message of Love" (1981), "Back on the Chain Gang" (1982), "Middle of the Road" (1983), "2000 Miles" (1983), "Don't Get Me Wrong" (1986), "My Baby" (1986), and "I'll Stand by You" (1994). The band was inducted into the Rock and Roll Hall of Fame in 2005.
            "Hymn to Her" is a song that was first released on the Pretenders' 1986 album Get Close. It was written by Meg Keene, a high school friend of Pretenders' lead singer Chrissie Hynde. "Hymn to Her" was released as a single in the UK and reached #8 on the charts. According to AllMusic critic Matthew Greenwald, the song has remained popular on adult contemporary radio stations.
      According to Spin magazine critic Erik Himmelsbach, "Hymn to Her" is one of the songs presenting "traditional pop sentiments" which Hynde and the Pretenders mixed in with their more vitriolic work. Spin critic Brian Cullman described it as a "hymn to the eternal feminine." The Maiden, Mother and Crone that are mentioned in the song are Archetypes of the collective unconscious, specific psychological imaging of the major psychological transitions women undergo over a lifetime. The Encyclopedia of Modern Witchcraft and Neo-Paganism interprets the song as containing pagan themes. Though the Archetypes of the collective unconscious are not limited to religious belief. Vic Garbarini of Musician magazine suggested that a theme of the song is Hynde "trying to listen to that part of [herself] where all [her] songs come from." Greenwald considers it "a timeless love song about a life-long love." According to Greenwald, the melody combines folk music and gospel music elements.
            Cullman evaluated "Hymn to Her" as "a stunner" which combines "the spirit behind 'The Mists of Avalon' with the beauty of Sandy Denny's best work." Greenwald particularly praised the lyrics, Hynde's delivery, and the refrain. Ira Robbins and Delvin Neugebauer of Trouser Press described "Hymn To Her" as a "haunting ballad" that was one of the few worthy songs on Get Close. Author Barbara O'Dair described it as "glorious" and "spine-tingling" and "the best thing" on Get Close. The Encyclopedia of Modern Witchcraft and Neo-Paganism called it "enchanting."
        "Hymn to Her" was later included on the Pretenders' compilation albums The Singles in 1987 and Greatest Hits in 2000. It was also included on the multi-artist compilation album Diana, Princess of Wales: Tribute in 1997. Sleeper covered the song as the b-side to "Vegas" and on the related EP in 1995

Let me inside you
Into your room
I've heard it's lined
With the things you don't show
Lay me beside you
Down on the floor
I've been your lover
From the womb to the tomb
I dress as your daughter
When the moon becomes round
You be my mother
When everything's gone
 
And she will always carry on
Something is lost
But something is found
They will keep on speaking her name
Somethings change
Some stay the same
 
Keep beckoning to me
From behind that closed door
The maid and the mother
And the crone that's grown old
 
I hear your voice
Coming out of that hole
I listen to you
And i want some more
I listen to you
And i want some more
 
And she will always carry on
Something is lost
But something is found
They will keep on speaking her name
Some things change
Some stay the same.