WORTH IT FT. KID INK
FIFTH HARMONY
COMPOSERS: Priscilla Renea, Ori Kaplan, Mikkel S. Eriksen e Tor Erik Hermansen
ALBUM: REFLECTION
LABEL: EPIC RECORDS/SYCO
GENRE: POP
YEAR: 2015

"Worth It" é uma canção do grupo feminino estadunidense Fifth Harmony, contida em seu álbum de estreia Reflection (2015). Conta com a participação do rapper compatriota Kid Ink, e foi composta por Priscilla Renea, Ori Kaplan, Mikkel S. Eriksen e Tor Erik Hermansen, sendo produzida pelos dois últimos sob o nome artístico Stargate juntamente com Kaplan. A faixa foi enviada para estações de rádio estadunidenses mainstream e rhythmic em 3 de março de 2015 através da Epic Records, servindo como o terceiro single do disco. A obra está presente na trilha sonora da telenovela A Regra do Jogo (2015) e recebeu indicações para Song of the Summer nos MTV Video Music Awards de 2015 e Choice Single: Group e Choice Summer Song nos Teen Choice Awards do mesmo ano, vencendo a última.





Give it to me, I'm worth it
Baby, I'm worth it
Uh huh I'm worth it
Gimme, gimme, I'm worth it
Give it to me, I'm worth it
Baby I'm worth it
Uh huh I'm worth it
Gimme gimme I'm worth it

I tell her bring it back like
She left somethin?
Bring it bring it back like she left somethin?
In the club with the lights off
What you actin' shy for?
Come and show me that you're
wit it wit it wit it wit it
Stop playing now you know I'm
wit it wit it wit it wit it wit it
What you actin' shy for?

Just gimme you, just gimme you
Just gimme you, that's all I wanna do
And if what they say is true
If it's true, I won't get mad at you
I may talk a lot of stuff
Guaranteed, I can back it up
I think I’m call your bluff
Hurry up, I'm walkin' out front

Uh huh see me in the spot like
'Ooh I love your style
Uh huh show me what you got
Cuz I don't wanna waste my time
Uh huh see me in the spot like
'Ooh I love your style?
Uh huh show me what you got
Now come and make it worth my while

Give it to me, I'm worth it
Baby I'm worth it
Uh huh I'm worth it
Gimme gimme I'm worth it
Give it to me, I'm worth it
Baby I'm worth it
Uh huh I'm worth it
Gimme gimme I'm worth it

It's all on you, it's all on you
It's all on you, so what you wanna do?
And if you don't have a clue
Not a clue, I'll tell you what to do
Come harder just because
I don't like it, like it too soft
I like it a little rough
Not too much, but maybe just enough

Uh huh see me in the spot like
'Ooh I love your style
Uh huh show me what you got
Cuz I don't wanna waste my time
Uh huh see me in the spot like
'Ooh I love your style
Uh huh show me what you got
Now come and make it worth my while

Give it to me, I'm worth it
Baby I'm worth it
Uh huh I'm worth it
Gimme gimme I'm worth it
Give it to me, I'm worth it (know what I mean?)
Baby I'm worth it (give me everything)
Uh huh I'm worth it
Gimme gimme I'm worth it

Okay
I I tell her bring it back like
She left somethin?
Bring it bring it back like she left somethin?
In the club with the lights off
What you actin' shy for?
Come and show me that you're
wit it wit it wit it wit it
Stop playing now you know I'm
wit it wit it wit it wit it wit it
What you actin? shy for?

Uh huh see me in the spot like
'Ooh I love your style
Uh huh show me what you got
Cuz I don't wanna waste my time
Uh huh see me in the spot like
'Ooh I love your style?
Uh huh show me what you got
Now come and make it worth my while

Give it to me, I'm worth it
Baby I'm worth it
Uh huh I'm worth it
Gimme gimme I'm worth it
Give it to me, I'm worth it (know what I mean?)
Baby I'm worth it (give me everything)
Uh huh I'm worth it
Gimme gimme I'm worth it


Give it to me, I'm worth it

Mora na filosofia
Roberta sá
COMPOSITORES: MONSUETO MENEZES & ARNALDO PASSOS
PROGRAMA: SOM BRASIL/SOBRE ANOS DOURADOS
GRAVADORA: universal music
GÊNERO: MPB
ANO: 2012

Roberta Varella de Sá (Natal, 19 de dezembro de 1980) é uma cantora brasileira de MPB, samba e bossa nova.
Em 2011, Roberta Sá foi indicada ao Grammy Latino na categoria de "Artista Revelação", juntamente com o sambista Diogo Nogueira. 






Eu vou lhe dar a decisão
Botei na balança
E você não pesou
Botei na peneira
E você não passou
Mora na filosofia
Pra que rimar amor e dor
Se seu corpo ficasse marcado
Por lábios ou mãos carinhosas
Eu saberia,
A quantos você pertencia
Não vou me preocupar em ver
Seu caso não é de ver para crer
Tá na cara

Eu vou lhe dar a decisão
Botei na balança
E você não pesou
Botei na peneira
E você não passou
Mora na filosofia
Pra que rimar amor e dor
Mora na filosofia

Pra que rimar amor e dor
CHEIA DE CHARME
GUILHERME ARANTES
COMPOSITOR: GUILHERME ARANTES
PAÍS: BRASIL
ÁLBUM: DESPERTAR
GRAVADORA: COLUMBIA RECORDS
GÊNERO: ROMÂNTICA
ANO: 1985

Despertar é o oitavo álbum de estúdio do cantor e compositor paulista Guilherme Arantes, lançado em 1985 pela gravadora CBS. O álbum teve como sucesso a canção "Cheia de Charme", canção composta em homenagem Às mulheres cariocas.
Quando a vi
Logo ali, tão perto
Tão ao meu alcance
Tão distante, tão real
Tão bom perfume
Sei lá!

Investi
Tudo naquele olhar
Tantas palavras num breve sussurrar
Paixão assim
Não acontece todo dia

Huuuuum
Cheia de charme
Um desejo enorme
De se aventurar
Cheia de charme
Um desejo enorme
De revolucionar
Oh! Oh! Oh!

Me perdi
Entre os seus cabelos
Pela sua pele
Nos seus lábios tão macios
Tão bom perfume
Sei lá!

Investi
Tudo naquele olhar
Tantas palavras num breve sussurrar
Paixão assim
Não acontece todo dia

Huuuuum
Cheia de charme
Um desejo enorme
De se aventurar
Cheia de charme
Um desejo enorme
De revolucionar
Oh! Oh! Oh!
Oh! Oh! Oh!

Paixão assim
Não acontece todo dia

Huuuum!
Cheia de charme
Um desejo enorme
De se aventurar
Cheia de charme
Um desejo enorme
De revolucionar

Cheia de charme
Um desejo enorme
De se aventurar

Oh!
Imagem relacionada

Guilherme Arantes

Cheia de Charme




Tom: D
Intro:  G A4 A Bm
        G A4 A Bm
  D            F#m          Bm
  Quando a vi, logo ali tão perto
Em             A             D4 D         G7M
  Tão ao meu alcance, tão distante, tão real
             Em    F#7 F#7/11 F#7
  Tão bom perfume,
      Bm    D/F# G A
  Sei lá

  D       F#m            Bm
  Investi tudo naquele olhar
Em         A          D4 D       G7M
  Tantas palavras num breve sussurar
           Em      A             D    D/F#  G
  Paixão assim não acontece todo dia

Em           A     D/F# G
  Cheia de charme,
     Em       A    D/F# G
  Um desejo enorme
          A    Bm  D/F# G
  De se aventurar
Em           A     D/F# G
  Cheia de charme,
     Em       A    D/F# G
  Um desejo enorme
          A    Bm  D/F# G A
  De revolucionar
 D         F#m             Bm
  Me perdi entre os seus cabelos
Em         A              D4 D         G7M
  Pela sua pele, nos seus lábios tão macios
             Em   F#7 F#7/11 F#7
  Tão bom perfume,
      Bm D/F# G A
  Sei lá
  • A
    123
    X02220
  • A4
    123
    X02230
  • Bm
    234
    X24432
  • D
    123
    XX0232
  • D/F#
    1234
    2X0232









  • D4
    123
    XX0233
  • Em
    12
    022000
  • F#7
    34
    242322
  • F#7/11
    34
    24242X
  • F#m
    34
    244222









  • G
    123
    320003
    •
  • G7M
    1234
    3X443X
CAN’T YOU HEAR MY KNOCKING
THE ROLLING STONES
SONGWRITERS: KEITH RICHARDS & MICK JAGGER
COUNTRY: U.K.
ALBUM: STICKY FINGERS
LABEL: ROLLING STONES RECORDS
GENRE: ROCK
YEAR: 1971

"Can't You Hear Me Knocking" is a song by English rock band the Rolling Stones from their 1971 album Sticky Fingers. The song is over seven minutes long, and begins with a Keith Richards open-G tuned guitar intro. At two minutes and forty-three seconds, an instrumental break begins, with Rocky Dijon on congas; tenor saxophonist Bobby Keys performs an extended saxophone solo over the guitar work of Richards and Mick Taylor, punctuated by the organ work of Billy Preston. At 4:40 Taylor takes over from Keys and carries the song to its finish with a lengthy guitar solo.
The Rolling Stones are an English rock band formed in London, England in 1962. The first stable line-up consisted of Brian Jones(guitar, harmonica), Mick Jagger(lead vocals), Keith Richards(guitar, backing vocals), Bill Wyman(bass), Charlie Watts(drums), and Ian Stewart(piano). Stewart was removed from the official line-up in 1963 but continued as a touring member until his death in 1985. Jones left the band less than a month prior to his death in 1969, having already been replaced by Mick Taylor, who remained until 1974. After Taylor left the band, Ronnie Wood took his place in 1975 and has been on guitar in tandem with Richards ever since. Following Wyman's departure in 1993, Darryl Jones joined as their touring bassist. Touring keyboardists for the band have been Nicky Hopkins(1967–1982), Ian McLagan(1978–1981), Billy Preston(through the mid-1970s) and Chuck Leavell(1982–present). The band was first led by Brian Jones, but after teaming as the band's songwriters, Jagger and Richards assumed leadership while Jones dealt with legal and personal troubles.
The Rolling Stones were at the forefront of the British Invasion of bands that became popular in the US in 1964, and identified with the youthful and rebellious counterculture of the 1960s. Rooted in blues and early rock and roll, the group began a short period of musical experimentation in the mid-1960s that peaked with the psychedelic album Their Satanic Majesties Request(1967). Subsequently, the group returned to its "bluesy" roots with Beggars Banquet(1968) which along with its follow-ups Let It Bleed(1969), Sticky Fingers(1971) and Exile on Main St.(1972) is generally considered to be the band's best work and is seen as their "Golden Age". During this period, they were first introduced on stage as "The World's Greatest Rock and Roll Band". Musicologist Robert Palmer attributed the endurance of the Rolling Stones to their being "rooted in traditional verities, in rhythm-and-blues and soul music", while "more ephemeral pop fashions have come and gone".
Yeah, you got satin shoes
Yeah, you got fancy boots
Y'all got cocaine eyes
Yeah, you got speed freak jive

Can't you hear me knockin' on your window
Can't you hear me knockin' on your door
Can't you hear me knockin' down the dirty street

Hey, help me baby,
I ain't no stranger
Help me baby,
I ain't no stranger
Help me baby,
I ain't no stranger

Can't you hear me knockin' when you're safe asleep
Can't you hear me knockin' down the gas light street
Can't you hear me knockin' throw me down the keys

Allright now
Hear me ringing big bells toll
Hear me singing soft and low
I've been begging on my knees
I've been kickin' Help me please
Hear me prowlin I'm gonna take you down
Hear me growlin', yeah I've got flatted feet
Now, now, now hear me howlin'
I'm all around your street now hear me knockin'
I'm around your town.