HAVA NAGILA
CHUBBY CHECKER
Songwriter: Brave Combo
Country: u.k.
Observation: Israeli folk song
Album: twistin’round the world
Label: pye golden guinea records
Genre: twist
Year: 1963

"Hava Nagila" (Hebrew: הבה נגילה, Havah Nagilah, "Let us rejoice") is an Israeli folk song traditionally sung at Jewish celebrations. It is perhaps the first modern Israeli folk song in the Hebrew language that has become a staple of band performers at Jewish weddings and bar/bat mitzvah celebrations. It was composed in the 1920s in the British Mandate of Palestine, when Hebrew was being revived for the first time as a spoken language in almost 2,000 years (since the destruction of the Second Temple in 70 AD). For the first time, Jews were being encouraged to speak Hebrew as a common language, instead of Yiddish, Arabic, Ladino, or other regional Jewish languages.
Abraham Zevi Idelsohn (1882–1938), a professor at Hebrew University, began cataloging all known Jewish music and teaching classes in musical composition; one of his students was a promising cantorial student, Moshe Nathanson, who (with the rest of his class) was presented by the professor with a 19th-century, slow, melodious, chant (niggun or nigun) and assigned to add rhythm and words to fashion a modern Hebrew song. There are competing claims regarding Hava Nagila's composer, with both Idelsohn and Nathanson being suggested.





Hava nagila, hava nagila,
Hava nagila, venishmecha
Hava nagila, hava nagila,
Hava nagila, venishmecha...

Hava naranena, hava naranena,
Hava naranena, venishmecha
Hava naranena, hava naranena,
Hava naranena, venishmecha...

Uru, uru achim,
Uru achim, belev sameach
Uru achim belev sameach,
Uru achim, belev sameach
Uru achim !
Uru achiiiiiim

Belev sameeeeaaaaach...
DON’T FORGET ABOUT ME
CLOVES
SONGWRITERS: KEITH FORSEY & STEVE SCHIFF
COUNTRY: AUSTRALIA
ALBUM: XIII
LABEL: UNIVERSAL MUSIC
GENRE: NEW WAVE
YEAR: 2015

Cloves (born Kaity Dunstan; Melbourne, 1996) is an Australian singer-songwriter. which includes the song "Don't Forget About Me" from the soundtrack of the 2016 film Me Before You.
"Don't You (Forget About Me)" é uma canção da banda escocesa Simple Minds, gravada para a trilha sonora do filme The Breakfast Club. Foi composta por Keith Forsey and Steve Schiff. Forsey teria pedido a Bryan Ferry e Billy Idol que gravassem a canção, porém ambos se recusaram. Idol posteriormente gravaria uma cover em sua compilação de grandes sucessos, lançada em 2001. Com a recusa de ambos, Schiff sugeriu que Forsey pedisse à banda escocesa de new wave, Simple Minds, que inicialmente recusou, porém depois veio a aceitar, após serem encorajados pela sua gravadora, A&M. De acordo com um dos relatos da época, a banda regravou a faixa em três horas, num estado do norte de Londres.




If I fall, can you pull me up?
Is it true, you’re watching out?
And when I'm tired, do you lay down with me?
In my head so I can sleep without you?

Hey, hey
Without you there's holes in my soul
Hey, hey
Let the water in

Where ever you've gone?
How, how, how?
I just need to know
That you won't forget about me

Where ever you've gone?
How, how, how?
I just need to know
That you won't forget about me

Lost through time and that's all I need
So much love, then one day buried
Hope you're safe, cause I lay you leaves
Is there more than we can see?
Answers for me

And hey, hey
Without you there's holes in my soles
Hey, hey
Let the water in
Where ever you've gone?
How, how, how?
I just need to know
That you won't forget about me

Where ever you've gone?
How, how, how?
I just need to know
That you won't forget about me

And I get lonely without you
And I can't move on
And I get lonely without you
I can't move on
Move on
Where ever you've gone?
How, how, how?
I just need to know

That you won't forget about me

BOOGIE STREET

LEONARD COHEN
SONGWRITERS: LEONARD COHEN & SHARON ROBINSON
COUNTRY: CANADA
ALBUM: THE NEW SONGS
LABEL: COLUMBIA RECORDS
GENRE: FOLK
YEAR: 2001

Ten New Songs é o décimo álbum de estúdio de Leonard Cohen, lançado em 2001, feito em parceria com a cantora, compositora e produtora Sharon Robinson.
Leonard Cohen is a Canadian singer-songwriter and poet active in music since 1967. Cohen has released 13º studio albums and 6 live albums during the course of a recording career lasting almost 50 years, throughout which he has remained an active poet. His entire catalogue is available on Columbia Records. His 1967 debut Songs of Leonard Cohen earned an RIAA gold record; he followed up with three more highly acclaimed albums: Songs From A Room (1969), Songs of Love and Hate (1971) and New Skin For The Old Ceremony (1974), before allowing Phil Spector to produce Death of a Ladies' Man for Warner Bros. Records in 1977. Cohen returned to Columbia in 1979 for Recent Songs, but the label declined to release his next album, Various Positions (1984) in the US, leaving it to American shops to import it from CBS Canada. In 1988, Columbia got behind Cohen again and gave full support to I'm Your Man, which brought his career to new heights, and Cohen followed it with 1992's The Future. Cohen then took a nine-year hiatus, and returned with Ten New Songs in (2001), which he made with Sharon Robinson, following this with Dear Heather (2004). In 2008 Cohen began touring for the first time in 15 years and, as well as the release of several live albums, he released Old Ideas (2012) which peaked at #3 on the Billboard 200 Album Chart. This was the highest ranking ever for a Leonard Cohen album, and became his first to top the Canadian Albums Chart, a feat he repeated with his followup, Popular Problems, released in 2014. His live albums include Live Songs (1973), Cohen Live: Leonard Cohen in Concert (1994), Live in London (2009) and Songs from the Road, (2010) from his 2008–2009 world tour, and Live at the Isle of Wight 1970 (2009).




O crown of light, o darkened one
I never thought we'd meet
You kiss my lips, and then it's done
I'm back on boogie street

A sip of wine, a cigarette
And then it's time to go
I tidied up the kitchenette
I tuned the old banjo
I'm wanted at the traffic jam
They're saving me a seat
I'm what I am, and what I am
Is back on boogie street

And o my love, I still recall
The pleasures that we knew
The rivers and the waterfall
Wherein I bathed with you
Bewildered by your beauty there
I'd kneel to dry your feet
By such instructions you prepare
A man for boogie street

O crown of light, o darkened one?

So come, my friends, be not afraid
We are so lightly here
It is in love that we are made
In love we disappear
Tho' all the maps of blood and flesh
Are posted on the door
There's no one who has told us yet
What boogie street is for

O crown of light, o darkened one
I never thought we'd meet
You kiss my lips, and then it's done
I'm back on boogie street

A sip of wine, a cigarette

And then it's time to go
PERDONO
CATERINA CASELLI
COMPOSITORE: Mogol & P. SofficI
PAESE: ITALIA
ALBUM: CASCO D’ORO
ETICHETTA: CGD
GENERE: POP
ANNO: 1966

Caterina Caselli (Modena, 10 aprile 1946) è una cantante, produttrice discografica, attrice e conduttrice televisiva italiana, popolare soprattutto negli anni sessanta. Nata a Modena, dopo pochi giorni si trasferì con la famiglia nella casa paterna di Magreta per spostarsi poi a Sassuolo; è conosciuta anche come Casco d'oro per la particolare acconciatura che la distingueva nel periodo di maggior successo.





Perdono, perdono, perdono!
Io soffro più ancora di te.

Diceva le cose che dici tu,
aveva gli stessi occhi che hai tu.
Mi avevi abbandonata ed io mi son trovata
a un tratto già abbracciata a lui.

Perdono, perdono, perdono!
Io soffro più ancora di te.
Perdono, perdono, perdono!
Il male, l'ho fatto più a me.

A volte piangendo non vedi più,
da come ha sorriso, sembravi tu.

Di notte è molto strano,
ma il fuoco di un cerino
ti sembra il sole
che non hai.

Perdono, perdono, perdono!
Io soffro più ancora di te.
Perdono, perdono, perdono!
Il male, l'ho fatto più a me.

Di notte è molto strano
ma il fuoco di un cerino
ti sembra il sole
che non hai.

Perdono, perdono, perdono!
Io soffro più ancora di te.
Perdono, perdono, perdono!
Il male, l'ho fatto più a me.

Perdono, perdono, perdono!
Io soffro più ancora di te.
Perdono, perdono, perdono!

Io soffro più ancora di te.