FLY
JON STEVENS
SONGWRITER: JON STEVENS & JOHN RANDALL FIELDS
COUNTRY: U. S. A. & NEW ZELAND
ALBUM: PLANES
LABEL: WALT DISNEY RECORDS
GENRE: INDIE
YEAR: 2013

Planes is a 2013 American 3D computer-animated sports comedy film produced by Disney toon Studios and released by Walt Disney Pictures. It is a spin-off of Pixar's Cars franchise. Despite not being produced by Pixar, the film was co-written and executive produced by Pixar and Walt Disney Animation Studios' then-chief creative officer John Lasseter, who directed the first two Cars films. The film stars the voices of Dane Cook, Stacy Keach, Priyanka Chopra in her Hollywood debut, Brad Garrett, Teri Hatcher, Danny Mann, Julia Louis-Dreyfus, Roger Craig Smith, John Cleese, Carlos Alazraqui, Val Kilmer, and Anthony Edwards.
Like many of Disneytoon's films, it was initially set to be released as a direct-to-video film, but was instead theatrically released on August 9, 2013 in the Disney Digital 3D and RealD 3D formats. The film grossed $239.3 million worldwide on a $50 million budget. A sequel, titled Planes: Fire & Rescue, was theatrically released on July 18, 2014
Jon Stevens(born 8 October 1961) is a New Zealand singer of Māori descent. Stevens is the brother of New Zealand Idol judge, Frankie Stevens. He is best known for his work with Noiseworks and Jesus Christ Superstar.
Stevens was born in Upper Hutt, New Zealand where he used to play rugby league. He formed his first band while at Heretaunga College. Stevens released his debut studio album Jezebel on CBS Records in 1980. It peaked at number 7 on the New Zealand charts and was certified Gold. He moved to Australia in 1981 and subsequently became na Australian citizen. In 1982, a self-titled album was released, but was not successful. In 1983, Stevens formed the band The Change with guitarist Stuart Fraser. Over the next few years, additional members were added before renaming themselves as Noiseworks in 1986.
C'mon

I wanna fly
Makes everything alright
Way up in the sky (Yea, yea)
Got to feel alive (hey)

Show me the place I wanna see
I'm gonna make my dreams reality
Oh take some time I don't care what they say
Go reach for the start and take it on way

Can't hold me back it's just a waste of time
Into the clouds I'm gonna climb

I wanna fly
Makes everything alright
Way up in the sky (Yea, yea)
Got to feel alive (hey)

I feel the magic when I fly I'm free
A sweet sensation just believe, believe, yeah
And when the sun is burnin' on my back
It lived always and where (?)

Can't stop me now it's just a waste of time
Into the clouds I'm gonna climb

I wanna fly
Makes everything alright
Way up in the sky (Yea, yea)
Got to feel alive (hey)

I wanna fly
Come on and fly

Makes everything alright
Way up in the sky (Yea, yea)
Got to feel alive (hey)
I wanna fly!
THREE DOLLAR BILL
MARIA MULDAUR
SONGWRITER: MAC REBENNACK
COUNTRY: U. S. A.
ALBUM: MARIA MULDAR
LABEL: REPRISE RECORDS
GENRE: POP ROCK
YEAR: 1973

Maria Muldaur is the 1973 debut studio album of musician Maria Muldaur. The album includes "Midnight at the Oasis", her best-known single, which charted at #6 on the Billboard Hot 100 and "Three Dollar Bill", which charted at #7 on the Billboard Adult Contemporary charts. The album, which peaked at #3 on The Billboard 200, was certified gold by the RIAA on May 13, 1974.
The album was positively reviewed, and very positively in at least one case. Writing in October 1973, Rolling Stone's reviewer Jon Landau described the album as "one of the half-dozen best" of the year, "the kind of glorious breakthrough that reminds me why I fell in love with rock & roll." The album is heavily influenced by country and blues.
Maria Muldaur(born September 12, 1943) is an American folk and blues singer who was part of the American folk music revival in the early 1960s. She recorded the 1973 hit song "Midnight at the Oasis" and continues to record albums in the folk traditions.
Catch ya on the fly
And you leave 'em high and dry
But I'm up on your game baby
And your two-bit alibi

But you just wont quit
And you don't even wanna try
Your living out of your suitcase
And the rat-race will run you dry

You're just a three dollar bill
You're just a three dollar bill

Telling your traveling salesman jokes
Like a politician kissing babies hustlin votes
Baby, your just a three dollar bill

Ya weep for the young girls
You love em and you leave 'em
Your favorite hobby is seduce em and leave em

But one day you'll get caught
Messing up in the wrong room and
You'll be doing a shotgun wedding as a twelve gauge
Groom

You're just a three dollar bill
You're just a three dollar bill

Baby You've just been a wasting my time
A three dollar bill ain't even worth one dime
Baby, You're just a three dollar bill

You're just a three dollar bill
You're just a three dollar bill

Baby, You're kinda fit and your phony
You come around here so full of baloney
Baby, You're just a three dollar bill

You're just a three dollar bill
You're just a three dollar bill

Baby you're nothing but a three dollar bill
I can't use it, I don't want it
I can't spend it I don't need it

Baby, you're just a three dollar bill.
NEAL'S FANDANGO
THE DOOBIE BROTHERS
SONGWRITER: PATRICK SIMMONS
HOW: LIVE IN 1996
COUNTRY: U. S. A.
ALBUM: STAMPEDE
LABEL: WARNER BROS RECORDS
GENRE: CLASSIC ROCK
YEAR: 1975

Stampede is the fifth studio album by American rock band The Doobie Brothers. The album was released on April 25, 1975, by Warner Bros. Records. It was the final album by the band before Michael McDonald replaced Tom Johnston as lead vocalist and primary songwriter. The album has been certified gold by the RIAA.
Stampede showed the band diversifying elements of their sound more than ever before, combining elements of their old sound as well as country-rock, funk and folk music. Many guest musicians contributed on the album including Maria Muldaur, Ry Cooder and Curtis Mayfield.
The first and most successful single released from this album was "Take Me in Your Arms (Rock Me a Little While)" on April 23, 1975, a classic Motown tune written by the legendary songwriting trio of Holland-Dozier-Holland. Tom Johnston had wanted to record the song for several years. "I thought that would be a killer track to cover," he said. "It's probably one of my favorite songs of all time. I thought our version came out great."
The Doobie Brothers are an American rock band from San Jose, California. The group has sold more than 40 million albums worldwide. It has been active for five decades, with its greatest success in the 1970s.
The band's history can be roughly divided into three eras. From 1970 to 1975 it featured lead vocalist Tom Johnston and a mainstream rock and roll sound with elements of folk, country and R&B. Johnston quit the group in 1975, and was replaced by Michael McDonald, whose interest in soul music changed the band's sound until it broke up in 1982. The Doobie Brothers reformed in 1987 with Johnston back in the fold and are still active, with occasional contributions from McDonald. Every incarnation of the group emphasized vocal harmonies. The Doobie Brothers were inducted into the Vocal Group Hall of Fame in 2004.
Well, a travelin' man's affliction makes it hard to settle down
But I'm stuck here in the flatlands while my heart is homeward bound
Goin' back, I'm too tired to roam, Loma Prieta my mountain home
On the hills above Santa Cruz, in the place where I spent my youth

Well it was Neal Cassady that started me to travelin'
All the stories that were told, I believed them every one
And it's a windin' road I'm on you understand
And no time to worry 'bout tomorrow when you're followin' the sun

Papa don't you worry now and mama don't you cry
Sweet woman don't forsake me, I'll be comin' by and by

Goin' back, I'm too tired to roam, Loma Prieta my mountain home
On the hills above Santa Cruz, in the place where I spent my youth.
HERE YOU CAME AGAIN 
DOLLY PARTON
SONGWRITERS: Barry Mann & Cynthia Weil
COUNTRY: U. S. A.
ALBUM: HERE YOU COME AGAIN
LABEL: RCA RECORDS
GENRE: COUNTRY POP
YEAR: 1977

"Here You Come Again" is a song written by Barry Mann and Cynthia Weil, and recorded by American entertainer Dolly Parton. It was released as a single in September 1977 as the title track from Parton's álbum of the same name, and which topped the U.S. country singles chart for five weeks, and won the 1979 Grammy award for Best Female Country Vocal Performance; it also reached number three on the U.S. Billboard Hot 100, representing Parton's first significant pop crossover hit.
The song was composed by Mann and Weil, and it was a rare example of a Parton hit that she did not write herself. The songwriting duo originally composed "Here You Come Again" in 1975 as a potential comeback hit for Brenda Lee, but when Lee decided not to record it, the song made its way to Parton, who was looking for something to broaden her appeal. Her producer, Gary Klein, had heard the song on the B.J. Thomas's recently released self-titled album, reporting Parton begged him to add a steel guitar to avoid sounding too pop, and he called in Al Perkins to fill that role. "She wanted people to be able to hear the steel guitar, so if someone said it isn't country, she could say it and prove it," Klein told Roland. "She was so relieved. It was like her life sentence was reprieved."
Here you come again
Just when I've begun to get myself together
You waltz right in the door
Just like you've done before
And wrap my heart 'round your little finger

Here you come again
Just when I'm about to make it work without you
You look into my eyes
And lie those pretty lies
And pretty soon I'm wonderin' how I came to doubt you

All you have to do is smile that smile
And there go all my defenses
Just leave it up to you and in a little while
You're messin' up my mind and fillin' up my senses

Here you come again
Lookin' better than a body has a right to
And shakin' me up so that all I really know
Is here you come again ...
And here I go

[break]

All you have to do is smile that smile
And there go all my defenses
Just leave it up to you and in a little while
You're messin' up my mind and fillin' up my senses

Here you come again
Lookin' better than a body has a right to
And shakin' me up so that all I really know
Is here you come again ...
And here I go (here you come again)

Here I go
Here I go (here you come again)
And here I go
Here I go (here you come again)
Here I go
Here I go (here you come again)
Here I go.