CAN’T MAKE UP MY MIND
GLORIA TELLS
SONGWRITER: GLORIA TELLS
COUNTRY: U. S. A.
ALBUM: SHINE ON YOU
LABEL: EPIDEMIC SOUND
GENRE: SOUL
YEAR: 2019

We are proud to introduce the new album 'Out Of Control' by Gloria Tells. A magic collection of hopeful, dreamy and feelgood Soul with expressive and emotional vocals.
So many questions that I wanna ask
But I can’t find a reason quite yet
You always find a small excuse to leave
What’s your excuse to make cry

My love was lost when you came and took it all
My mind says stop but my heart is screaming loud

Don’t go
Just learn
Don’t say
With me
Ii’m in
Complete
I gotta mixed the music to make my mid off

How can I love you when you’re not around
How can I let you let me down now
How can I long for you feeling so small
Love should be everything or not at all.
I CAN’T HOLD ON
KARLA BONOFF
SONGWRITER: KARLA BONOFF
COUNTRY: U. S. A.
ALBUM: KARLA BONOFF
LABEL: COLUMBIA
GENRE: FOLK ROCK
YEAR: 1977

Karla Bonoff (born December 27, 1951) is an American singer-songwriter. While Bonoff has released a number of albums, she is primarily known for her songwriting. Bonoff's songs include "Home," covered by Bonnie Raitt, "Tell Me Why" by Wynonna Judd, and "Isn't It Always Love" by Lynn Anderson.
Most notably, Linda Ronstadt recorded several Bonoff songs, including three tracks on the 1976 album Hasten Down the Wind ("Someone To Lay Down Beside Me", "Lose Again" and "If He's Ever Near"), which introduced Bonoff to a mass audience, and "All My Life", a 1989 duet with Ronstadt and Aaron Neville.
Karla Bonoff is the RIAA Gold-certified first album by singer/songwriter Karla Bonoff. It includes several of Bonoff's compositions which had previously been prominently recorded: three by Linda Ronstadt ("Lose Again", "If He's Ever Near", "Someone to Lay Down Beside Me") and one by Bonnie Raitt ("Home").
Rolling Stone's Stephen Holder called the album an impressive debut marred only by comparisons to Linda Ronstadt. Saying "Bonoff's approach is softer, plainer and more tentative." But concluding, "[t]he consistency of the material confirms a major writing talent; the performances show a promising singer."
AllMusic's William Ruhlmann noted retrospectively that "despite Bonoff's competent singing, which actually better accentuated the lyrics of her songs than Ronstadt's, it was hard for her to get out from under the shadow of the members of her peer group who had preceded her."
[Verse 1]
Oh baby, this time it's goodbye
And you can be sure that I won't cry
Our love is just a faded story
I'm walking down the road
And you just got to let me go 'cause

[Chorus]
I can't hold on
I can't hold on
I can't hold on anymore

[Verse 2]
Well, what was that sweet lullaby
And were all those promises just lies
Well, I was just a fool to love you
I knew it all along
I can't look down, I know I'm falling

[Chorus]
'Cause I can't hold on
I can't hold on
I can't hold on anymore

[Bridge]
When you act the way that you do
I want to scream and shout
You keep on playing games
I walk around the block and I think maybe you'll change
But just when it seems we've got it all worked out
You start naming names
I don't believe that I was the one to blame

[Verse 3]
And maybe next time you'll cry
When someone like me says goodbye
You'll wake up when she's gone and wonder
How you could let her go
But look at me, I'm going under

[Chorus]
'Cause I can't hold on
I can't hold on
I can't hold on anymore
No
I can't hold on
I can't hold on
I can't hold on anymore
RELAX
FRANKIE GOES TO HOLLYWOOD
SONGWRITERS: MARK WILLIAM O'TOOLE; PETER GILL & HOLLY JOHNSON
COUNTRY: U. K.
ALBUM: WELCOME TO THE PLEASUREDOME
LABEL: ZTT RECORDS
GENRE: NEW WAVE
YEAR: 1984

"Relax" is the debut single by Frankie Goes to Hollywood, released in the United Kingdom by ZTT Records in 1983. The song was later included on the álbum Welcome to the Pleasuredome(1984).
Although fairly inauspicious upon initial release, "Relax" finally reached Mnumber one on the UK singles chart on 22 January 1984, ultimately becoming one of the most controversial and most commercially successful records of the decade. The single eventually sold a reported 2 million copies in the UK alone, making it the seventh best-selling single in the UK Singles Chart's history. Following the release of the group's second single, "Two Tribes", "Relax" rallied from a declining UK chart position during June 1984 to climb back up the UK charts and re-attain the number 2 spot behind "Two Tribes" at number 1, making them the only act at the time to have occupied the top two simultaneously apart from The Beatles and John Lennon.
Upon its release in the United States, "Relax" repeated its slow UK progress. In its initial release, it peaked at number 67 in May 1984. In January 1985, it re-entered the Billboard Hot 100 at number 70, eventually reaching number 10 in March.
The song won Best British Single at the 1985 Brit Awards.
The song featured on the soundtrack of the films Body Double and T2 Trainspotting, in the game, Grand Theft Auto: Vice City Stories in the fictional in-game radio station Wave 103, and on the soundtrack to Black Mirror: Bandersnatch.
Oh oh
Wee-ell-Now!

Relax don't do it
When you want to go to it
Relax don't do it
When you want to come
Relax don't do it
When you want to come
When you want to come

Relax don't do it
When you want to to go to it
Relax don't do it
When you want to come
Relax don't do it
When you want to suck to it
Relax don't do it
When you want to come
Come-oh oh oh

But shoot it in the right direction
Make making it your intention-ooh yeah
Live those dreams
Scheme those schemes
Got to hit me
Hit me
Hit me with those laser beams

I'm coming
I'm coming-yeah

Relax don't do it
When you want to go to it
Relax don't do it
When you want to come

Relax don't do it
When you want to suck to it
Relax don't do it (love)
When you want to come
When you want to come
When you want to come
Come-huh

Get it up
The scene of love
Oh feel it

Relax
Higher higher

Hey-
Pray.
ADDICTED TO LOVE
ROBERT PALMER
SONGWRITER: ROBERT PALMER
COUNTRY: U. K.
ALBUM: RIPTIDE
LABEL: ISLAND RECORDS
GENRE: ROCK
YEAR: 1985

Robert Allen Palmer (19 January 1949–26 September 2003) was an English singer-songwriter, musician and record producer. He was known for his powerful, distinctive, gritty and soulful voice, sartorial elegance and for combining soul, jazz, rock, pop, reggae and blues.
Palmer's involvement in the music industry began in the 1960s, covered four decades and included a spell with the band Vinegar Joe. He found success both in his solo career and with the Power Station, and had Top 10 songs in both the United Kingdom and the United States in the 1980s. Three of his hit singles, "I Didn't Mean to Turn You On", "Addicted to Love" and "Simply Irresistible", were accompanied with stylish music videos directed by British fashion photographer Terence Donovan.
Palmer received a number of awards throughout his career, including two Grammy Awards for Best Male Rock Vocal Performance, an MTV Video Music Award and two Brit Award nominations for Best British Male Solo Artist. He died aged 54, following a heart attack on 26 September 2003.
Riptide is the eighth studio album by English singer Robert Palmer, released in November 1985 by Island Records. The album was recorded over a period of three months in 1985, at Compass Point Studios in Nassau, Bahamas. The album peaked at No. 5 on the UK Albums Chart and at No. 8 on the US Billboard 200. It was certified double platinum in the US by the RIAA in March 1996 and certified gold in the UK by BPI in August 1986. It featured the songs "Addicted to Love", "I Didn't Mean to Turn You On", "Hyperactive", "Discipline of Love", and "Riptide" which were all released as singles. The single "Addicted to Love" was accompanied by an iconic and much-imitated music video, directed by Terence Donovan, in which Palmer is surrounded by a bevy of near-identically clad, heavily made-up (and appropriately pouty) female "musicians," either mimicking or mocking the painting style of Patrick Nagel. In September 1986, Palmer performed "Addicted to Love" at the 1986 MTV Video Music Awards in Los Angeles, California. In 1987, he won the Grammy Award for Best Male Rock Vocal Performance for "Addicted to Love". At the 1987  ,Brit Awards, Palmer received his first nomination for Best British Male.
Another single from Riptide, his cover of R&B singer Cherrelle's "I Didn't Mean to Turn You On", also performed well (US No. 2, UK No. 9). The song, "Trick Bag," was written by one of his major influences, New Orleans blues artist Earl King.
For the album, Palmer collaborated with two former members from the Power Station, guitarist Andy Taylor and drummer Tony Thompson. The Power Station's producer Bernard Edwards also played bass and produced the album. The album also features contributions from Chaka Khan and notable session musicians such as Guy Pratt, Wally Badarou, Jeff Bova, Eddie Martinez, and Jack Waldman (who died a year after the album's release).
The title track of the album is a cover of a 1933 song written by Walter Donaldson and Gus Kahn and first recorded by Eddy Duchin and his orchestra.
Your lights are on, but you're not home
Your mind is not your own
Your heart sweats, your body shakes
Another kiss is what it takes
You can't sleep, you can't eat
There's no doubt, you're in deep
Your throat is tight, you can't breathe
Another kiss is all you need
Ohh oohh

You like to think that you're immune to the stuff...oh yeah
It's closer to the truth to say you can't get enough
You know you're gonna have to face it
You're addicted to love

You see the signs, but you can't read
You're runnin' at a different speed
You heart beats in double time
Another kiss and you'll be mine, a one track mind
You can't be saved
Oblivion is all you crave
If there's some left for you
You don't mind if you do
Ohh oohh

You like to think that you're immune to the stuff
It's closer to the truth to say you can't get enough
You know you're gonna have to face it
You're addicted to love

Might as well face it, you're addicted to love
Might as well face it, you're addicted to love
Might as well face it, you're addicted to love
Might as well face it, you're addicted to love
Might as well face it, you're addicted to love

Your lights are on, but you're not home
Your will is not your own
Your heart sweats and teeth grind
Another kiss and you'll be mine
Ohh oohh

You like to think that you're immune to the stuff
It's closer to the truth to say you can't get enough
You know you're gonna have to face it
You're addicted to love

Might as well face it, you're addicted to love
Might as well face it, you're addicted to love
Might as well face it, you're addicted to love
Might as well face it, you're addicted to love
Might as well face it, you're addicted to love
Might as well face it, you're addicted to love
Might as well face it, you're addicted to love
Might as well face it, you're addicted to love.