IMAGINATION

ELLA FITZGERALD
SONGWRITERS: JAMES VAN HEUSEN & JOHNNY BURKE
COUNTRY: U. S. A.
ALBUM: IMAGINATION 
LABEL: DECCA RECORDS
GENRE: JAZZ
YEAR: 1940
 
             Ella Jane Fitzgerald (April 25, 1917 – June 15, 1996) was an American jazz singer, sometimes referred to as the First Lady of Song, Queen of Jazz, and Lady Ella. She was noted for her purity of tone, impeccable diction, phrasing, timing, intonation, and a "horn-like" improvisational ability, particularly in her scat singing.
             After a tumultuous adolescence, Fitzgerald found stability in musical success with the Chick Webb Orchestra, performing across the country but most often associated with the Savoy Ballroom in Harlem. Her rendition of the nursery rhyme "A-Tisket, A-Tasket" helped boost both her and Webb to national fame. After taking over the band when Webb died, Fitzgerald left it behind in 1942 to start her solo career.
               Her manager was Moe Gale, co-founder of the Savoy, until she turned the rest of her career over to Norman Granz, who founded Verve Records to produce new records by Fitzgerald. With Verve she recorded some of her more widely noted works, particularly her interpretations of the Great American Songbook.
            While Fitzgerald appeared in movies and as a guest on popular television shows in the second half of the twentieth century, her musical collaborations with Louis Armstrong, Duke Ellington, and The Ink Spots were some of her most notable acts outside of her solo career. These partnerships produced some of her best-known songs such as "Dream a Little Dream of Me", "Cheek to Cheek", "Into Each Life Some Rain Must Fall", and "It Don't Mean a Thing (If It Ain't Got That Swing)".
               In 1993, after a career of nearly 60 years, she gave her last public performance. Three years later, she died at the age of 79 after years of declining health. Her accolades included fourteen Grammy Awards, the National Medal of Arts, and the Presidential Medal of Freedom.
          Between 1935 and 1955 Ella Fitzgerald was signed to Decca Records. Her early recordings as a featured vocalist were frequently uncredited. Her first credited single was 78 RPM recording "I'll Chase the Blues Away" with the Chick Webb Orchestra. Fitzgerald continued recording with Webb until his death in 1939, after which the group was renamed Ella Fitzgerald and Her Famous Orchestra. With the introduction of 10" and 12" Long-Playing records in the late 1940s, Decca released several original albums of Fitzgerald's music and reissued many of her previous single-only releases. From 1935 to the late 1940s Decca issued Ella Fitzgerald's recordings on 78rpm singles and album collections, in book form, of four singles that included eight tracks. These recordings have been re-issued on a series of 15 compact disc by the French record label Classics Records between 1992 and 2008.
        In 1956 Ella Fitzgerald signed with Verve Records, the Norman Granz record label. Fitzgerald recorded with Verve until the mid-1960s. Included in this era were a series of eight Song Book albums, with interpretations of the greater part of the Great American Songbook, with songs from the pens of Cole Porter (1956), Rodgers & Hart (1956), Duke Ellington (1957), Irving Berlin (1958), George and Ira Gershwin (1959), Harold Arlen (1961), Jerome Kern (1963) and Johnny Mercer (1964). Ella Fitzgerald released many stand alone singles throughout her Verve years. These were re-issued in 2003 on the 2-CD set, Jukebox Ella: The Complete Verve Singles, Vol. 1.
               The late 1960s and early 1970s saw Fitzgerald release albums on several major record labels, including three albums on Capitol Records and two on the Reprise Records label. In 1972 Norman Granz formed Pablo Records, the label continued to release Ella Fitzgerald's albums up until her last recorded album All That Jazz in 1989.
       In recent years the Ella Fitzgerald back catalogue has continued to grow, this includes complete albums of previously unreleased live material and alternative recordings from her studio sessions.
Imagination is funny, it makes a cloudy day Sunny
Makes a bee think of honey just as I think of you
 
Imagination is crazy, your whole perspective gets hazy
Starts you asking a daisy: What to do, what to do?
 
Have you ever felt a gentle touch and then a kiss
And then and then, find it's only your imagination again?
Oh, well
 
Imagination is silly, you go around willy-nilly
For example I go around wanting you
And yet I can't imagine that you want me, too.

A SONG FOR YOU

RAY CHARLES
SONGWRITER: LEON RUSSELL
COUNTRY: U. S. A.
ALBUM: A SONG FOR YOU
LABEL: WARNER BROS RECORDS
GENRE: SOUL
YEAR: 1993
 
          Ray Charles Robinson (September 23, 1930 – June 10, 2004) was an American singer, songwriter, pianist, and composer. Among friends and fellow musicians he preferred being called "Brother Ray." He was often referred to as "The Genius." Charles was blinded during childhood due to glaucoma.
          Charles pioneered the soul music genre during the 1950s by combining blues, jazz, rhythm and blues, and gospel styles into the music he recorded for Atlantic. He contributed to the integration of country music, rhythm and blues, and pop music during the 1960s with his crossover success on ABC Records, notably with his two Modern Sounds albums. While he was with ABC, Charles became one of the first Black musicians to be granted artistic control by a mainstream record company.
          Charles' 1960 hit "Georgia On My Mind" was the first of his three career No. 1 hits on the Billboard Hot 100. His 1962 album Modern Sounds In Country And Western Music became his first album to top the Billboard 200. Charles had multiple singles reach the Top 40 on various Billboard charts: 44 on the US R&B singles chart, 11 on the Hot 100 singles chart, 2 on the Hot Country singles charts.
     Charles cited Nat King Cole as a primary influence, but his music was also influenced by Louis Jordan and Charles Brown. He had a lifelong friendship and occasional partnership with Quincy Jones. Frank Sinatra called Ray Charles "the only true genius in show business," although Charles downplayed this notion. Billy Joel said, "This may sound like sacrilege, but I think Ray Charles was more important than Elvis Presley".
           For his musical contributions, Charles received the Kennedy Center Honors, the National Medal of Arts, and the Polar Music Prize. He won 17 Grammy Awards, including 5 posthumously. Charles was honored with the Grammy Lifetime Achievement Award in 1987, and 10 of his recordings have been inducted into the Grammy Hall of Fame. Rolling Stone ranked Charles No. 10 on their list of the 100 Greatest Artists of All Time, and No. 2 on their list of the 100 Greatest Singers of All Time.

I've been so many places in my life and time
I've sung a lot of songs, I've made some bad rhyme
I've acted out my life in stages
With ten thousand people watching
But we're alone now and I'm singin' this song for you
 
I know your image of me is what I hope to be, baby
I've treated you unkindly but girl can't you see
There's no one more important to me
So darling can't you please see through me
'cause we're alone now and I'm singin' my song for you
 
You taught me precious secrets of the truth, withholdin'nothin'
You came out in front and I was hiding
But now I'm so much better so if my words don't come together
Listen to the melody cause my love's in there hiding
 
I love you in a place where there's no space or time
I love you for my life, 'cause you're a friend of mine
And when my life is over, remember when we were together
We were alone and I was singin' my song for you
 
I love you in a place where there's no space or time
I've loved you for my life, yes, you're a friend of mine
And when my life is over, remember when we were together
We were alone and I was singin' my song for you, yes
We were alone and I was singin' this song for you, baby
We were alone and I was singin' my song,
Singin' my song, singin' my song, singin' my song
Singin' my song.
T

MUSICA PARA EL ALMA

OSO STUDIOS & CRONO MEDIA



           Música para el alma está integrado por músicos de orquestas sinfónicas y coros de diferentes países. Su objetivo es acercar su música a personas que pasen por difíciles situaciones de vida, ya sea en hospitales, escuelas de educación especial, geriátricos y otras instituciones de bien público, para acompañar a los pacientes y profesionales que están a su cuidado.
            HISTÓRIA: El proyecto nació a iniciativa de María Eugenia Rubio, una joven y talentosa flautista de la Orquesta Nacional de Música Argentina Juan de Dios Filiberto, quién protagonizó una larga lucha contra una enfermedad.
           Sus primeras presentaciones se realizaron en Buenos Aires en 2012 y se fue extendiendo a otras ciudades de Argentina. Actualmente existen músicos nucleados en Música para el alma em Uruguay, Chile, Paraguay, Italia e Israel.
               Música para el alma ha realizado centenares de conciertos en instituciones de varios países. Entre otras se cuenta el Hospital Garrahan, en donde se presentó en varias oportunidades. En una de ellas lo hizo invitado por Patch Adams y de Niños Pedro de Elizalde, de Buenos Aires; el Complejo Penitenciario de Mujeres, Ezeiza, Prov. de Buenos Aires, Argentina; hospitales neuropsiquiátricos de Buenos Aires, como el Hospital Braulio Aurelio Moyano para mujeres; el Hospital Municipal José Tiburcio Borda y el Tobar García.
            En Uruguay se presentó en el hospital Hospital Pereira Rossell y en el Geriátrico Luis Piñeyro del Campo, de Montevideo. En Chile en el Hospital de Niños L. C. Mackenna.
         En Paraguay, en el Instituto de Previsión Social (Paraguay) (IPS), de Asunción. En Nápoles, Italia, estuvieron en el Hospital de pediatría oncológica Pausilipon.
         INTEGRANTES: Los integrantes de Música para el Alma pertenecen a varias orquestas profesionales de la Argentina, Uruguay, Chile, Paraguay, Italia e Israel.
Argentina
Orquesta Sinfónica Nacional (Argentina)
Orquesta Filarmónica del Teatro Colón
Orquesta Estable del Teatro Colón
Coro Estable del Teatro Colón
Orquesta Nacional de Música Argentina Juan de Dios Filiberto
Orquesta del Tango de Buenos Aires
Camerata Bariloche
Orquestas Sinfónicas de Córdoba, Bahía Blanca, Neuquén, Salta.
Orquestas Filarmónicas de Mendoza, Rosario
Uruguay
Orquesta Filarmónica de Montevideo
Orquesta Sinfónica del SODRE
Paraguay
Chile
Italia
Israel

LA CABANE DU PÊCHEUR

FRANCIS CABREL
COMPOSITEUR: FRANCIS CABREL & JEAN-PIERRE BUCCOLO
PAYS: FRANCE
ALBUM: SAMEDI SOIR SUR LA TERRE
RECORD: COLUMBIA RECORDS
GENRE: CHANSON FRANÇAISE
ANNÉE: 1994
 
         Francis Cabrel, né le 23 novembre 1953 à Agen (Lot-et-Garonne), est un auteur-compositeur-interprète français. Considéré comme l'un des artistes musicaux français les plus influents de tous les temps, il a sorti plusieurs albums relevant principalement du domaine du folk, avec des incursions dans le blues ou la country.
   Reconnu pour ses ballades et chansons sentimentales, ses ventes de disques sont estimées à plus de 25 millions d'exemplaires à travers le monde
Samedi soir sur la Terre est le huitième album de Francis Cabrel sorti le 6 avril 1994, certifié disque de diamant et vendu à plus de 3 millions d'exemplaires. C'est l'album le plus vendu de l'artiste et l'un des albums les plus vendus en France.
          Toutes les chansons sont écrites et composées par Francis Cabrel, sauf La Cabane du pêcheur, coécrite avec Jean-Pierre Buccolo. On peut noter la participation de Nicolas Reyes des Gipsy Kings pour les chants en espagnol de la chanson La Corrida.
Le soir tombait de tout son poids
Au dessus de la rivière
Je rangeais mes cannes
On ne voyait plus que du feu
Je l'ai vu s'approcher
La tête ailleurs dans ses prières
Il m'a semblé voir trop briller ses yeux
Je lui ai dit
Si tu pleures pour un garçon
Tu seras pas la dernière
Souvent, les poissons sont bien plus affectueux
Va faire un petit tour, respire le grand air!
Après, je te parlerai de l'amour
Si je me souviens un peu
Elle m'a dit
Elle a dit justement c'est ce que je voudrais savoir
Et j'ai dit viens t'asseoir dans la cabane du pêcheur
C'est un mauvais rêve, oublie-le!
Tes rêves sont toujours trop clairs ou trop noirs
Alors, viens faire toi-même le mélange des couleurs
Sur les murs de la cabane du pêcheur
Viens t'asseoir
Je lui ai dit
Le monde est pourtant pas si loin
On voit les lumières
Et la terre peut faire
Tous les bruits qu'elle veut
Y a sûrement quelqu'un qui écoute
Là-haut dans l'univers
Peut-être tu demandes plus qu'il ne peut?
Elle m'a dit
Elle a dit justement c'est ce que je voudrais savoir
Et j'ai dit viens t'asseoir dans la cabane du pêcheur
C'est un mauvais rêve, oublie-le!
Tes rêves sont toujours trop clairs ou trop noirs
Alors, viens faire toi-même le mélange des couleurs
Sur les murs de la cabane du pêcheur
Viens t'asseoir
Elle m'a dit
Elle a dit finalement, je brûle de tout savoir
Et j'ai dit viens t'asseoir dans la cabane du pêcheur
Y a sûrement de la place pour deux!
Cette route ne mène nulle part
Alors... Viens faire toi-même le mélange des couleurs
Sur les murs de la cabane du pêcheur
On va comparer nos malheurs
Là, dans la cabane du pêcheur
Partager un peu de chaleur
Là, dans la cabane du pêcheur
Moi, j'attends que le monde soit meilleur
Là, dans la cabane du pêcheur.