CALL OUT MY NAME

THE WEEKND
SONGWRITERS: ABEL TESFAYE; NICOLAS JAAR & ADAM FEENEY
COUNTRY: CANADA
ALBUM: MY DEAR MELANCHOLY
LABEL: XO RECORDS
GENRE: R & B
YEAR: 2018
 
        "Call Out My Name" is a song recorded by Canadian singer and songwriter the Weeknd, taken from his first EP, My Dear Melancholy, released on March 30, 2018. The Weeknd co-wrote the song with his producer Frank Dukes, with Nicolas Jaar receiving writing credits for the sampling of his 2016 song "Killing Time". The song was sent to rhythmic contemporary radio on April 10, 2018, as the EP's first single in the United States.
We found each other
I helped you out of a broken place
You gave me comfort
But falling for you was my mistake
 
I put you on top, I put you on top
I claimed you so proud and openly
And when times were rough, when times were rough
I made sure I held you close to me
 
So call out my name (call out my name)
Call out my name when I kiss you so gently
I want you to stay (I want you to stay)
I want you to stay, even though you don't want me
Girl, why can't you wait? (Why can't you wait, baby?)
Girl, why can't you wait 'til I fall out of love?
Won't you call out my name? (Call out my name)
Girl, call out my name, and I'll be on my way and
I'll be on my
 
I said I didn't feel nothing baby, but I lied
I almost cut a piece of myself for your life
Guess I was just another pit stop
'Til you made up your mind
You just wasted my time
 
You're on top, I put you on top
I claimed you so proud and openly, babe
And when times were rough, when times were rough
I made sure I held you close to me
 
So call out my name (call out my name, baby)
So call out my name when I kiss you
So gently, I want you to stay (I want you to stay)
I want you to stay even though you don't want me
Girl, why can't you wait? (Girl, why can't you wait 'til I)
Girl, why can't you wait 'til I fall out of loving?
Babe, call out my name (say call out my name, baby)
Girl, call out my name, and I'll be on my way, girl
I'll be on my
 
On my way, all the way
On my way, all the way, ooh
On my way, on my way, on my way
On my way, on my way, on my way
(On my).

HOW YOU REMIND ME

NICKELBACK
SONGWRITERS: CHAD KROEGER; RYAN PEAKE; RYAN VIKEDAL & MICHAEL KROEGER
COUNTRY: CANADA
ALBUM: SILVER SIDE UP
LABEL: ROADRUNNEER RECORDS
GENRE: POST-GRUNGE/ROCK
YEAR: 2001
 
        "How You Remind Me" is a song by Canadian rock band Nickelback. It was released on July 17, 2001, as the lead single from their third studio álbum Silver Side Up(2001). A "Gold Mix" was made for latter editions of the single with the heavier guitars edited out of the chorus. Singer Chad Kroeger referred to this song as the song that put Nickelback on the map when played at their concert in Sturgis, South Dakota.
       Considered to be Nickelback's signature song, "How You Remind Me" reached the top of the US Billboard Hot 100 and was named the number-one most played song on U.S. radio of the 2000s decade by Nielsen Soundscan, being spun over 1.2 million times on U.S. airwaves since its release in 2001 to the end of 2009. The song was ranked fourth on the Billboard Hot 100 Songs of the Decade and 75th on the UK decade-end chart. It was nominated for the Kerrang! Award for Best Single. "How You Remind Me" was also rated the number-one rock song and number-four alternative song of the decade of the 2000s by Billboard.
          The song was featured in the music video game Guitar Hero: Warriors of Rock and in a recut, PG-13 version of titled Once Upon a Deadpool. The song played a large role in a Saturday Night Live skit on March 10, 2018, with Sterling K. Brown in which the lyrics are a dying woman's final words.

Never made it as a wise man
I couldn't cut it as a poor man stealing
Tired of living like a blind man
I'm sick of sight without a sense of feeling
 
And this is how you remind me
This is how you remind me
Of what I really am
This is how you remind me
Of what I really am
 
It's not like you to say "Sorry"
I was waiting on a different story
This time I'm mistaken
For handing you a heart worth breaking
 
And I've been wrong, I've been down
Been to the bottom of every bottle
These five words in my head
Scream "Are we having fun yet?"
 
Yeah, yeah, yeah, no, no
Yeah, yeah, yeah, no, no
 
It's not like you didn't know that
I said, "I love you, " and I swear, I still do
And it must have been so bad
'Cause living with me must have damn near killed you
 
And this is how you remind me
Of what I really am
This is how you remind me
Of what I really am
 
It's not like you to say "Sorry"
I was waiting on a different story
This time I'm mistaken
For handing you a heart worth breaking
 
And I've been wrong, I've been down
Been to the bottom of every bottle
These five words in my head
Scream "Are we having fun yet?"
 
Yeah, yeah, yeah, no, no
Yeah, yeah, yeah, no, no
Yeah, yeah, yeah, no, no
Yeah, yeah, yeah, no, no
 
Never made it as a wise man
I couldn't cut it as a poor man stealing
And this is how you remind me
This is how you remind me
 
This is how you remind me
Of what I really am
This is how you remind me
Of what I really am
 
It's not like you to say "Sorry"
I was waiting on a different story
This time I'm mistaken
For handing you a heart worth breaking
 
And I've been wrong, I've been down
Been to the bottom of every bottle
These five words in my head
Scream "Are we having fun yet?"
 
Yeah, yeah, are we having fun yet?
Yeah, yeah, are we having fun yet?
Yeah, yeah, are we having fun yet?
 
Yeah, yeah
No, no!

 HOPE, I THINK, I KNOW

OASIS
SONGWRITER: NOEL GALLAGHER
COUNTRY: U. K.
ALBUM: BE HERE NOW
LABEL: CREATION RECORDS
GENRE: ROCK/BRITPOP
YEAR: 1997
 
          Be Here Now is the third studio album by English rock band Oasis, released on 21 August 1997 by Creation Records. The album was recorded at multiple recording studios in London, including Abbey Road Studios, as well as Ridge Farm Studio in Rusper, West Sussex. According to co-producer Owen Morris, the recording sessions were marred by arguments between the band members and drug abuse, and that the band's only motivations were commercial. Although most tracks retain the anthemic quality of previous releases, the songs on Be Here Now are longer and contain many guitar overdubs. Noel Gallagher said this was done to make the album sound as "colossal" as possible. The album cover features a shot of the band members at Stocks House in Hertfordshire.
         Following the worldwide success of their first two albums, Definitely Maybe, (1994) and (What's the Story) Morning Glory? (1995), the album was highly anticipated. Oasis' management company, Ignition, were aware of the dangers of overexposure, and before release sought to control media access to the album. The campaign included limiting pre-release radio airplay and forcing journalists to sign gag orders. The tactics alienated the press and many industry personnel connected with the band and fueled large-scale speculation and publicity within the British music scene.
        Preceded by the lead single "D'You Know What I Mean?", Be Here Now was an instant commercial success, selling faster than its two predecessors, and became the fastest-selling album in British chart history, and topping the albums chart in 15 countries. It was the biggest selling album of 1997 in the UK, with 1.47 million units sold that year. As of 2016, the album has sold eight million copies worldwide. It has been certified 7× Platinum in the UK and Platinum in the US, being Oasis' third and final Platinum album in the country.
     While initial reviews for Be Here Now were overwhelmingly positive, retrospective reviews have been more negative, with many calling it bloated and over-produced. The band members have had differing views of the album, with Noel severely criticising it and Liam Gallagher highly praising it, with the latter declaring it his favourite Oasis album in 2017. Critic Jon Savage would later pinpoint the album as the end of the Britpop movement. In 2016, the album was reissued with bonus tracks, including a new remix of "D'You Know What I Mean?".
They're trying hard to put me in my place
And that is why I've gotta keep running
The future is mine and it's no disgrace
'Cause in the end the past means nothing
 
You tell me I'm free then you tie me down
And from my chains I think it's a pity
What did it cost you to wear my crown?
You don't like me, why don't you admit it?
 
D'you feel a little down today?
I bet you ain't got much to say
But you're gonna miss me when I'm not there
You know I don't care, you know I don't care
 
As we beg and steal and borrow
Life is hit and miss and this
I hope, I think, I know
If I'll ever hear the names you call
And if I stumble, catch me when I fall
 
Baby after all, you'll never forget my name
You'll never forget my name
 
You're trying hard to put me in my place
And that is why I gotta keep running
The future's mine and it's your disgrace
'Cause in the end your past means nothing
 
I feel a little down today
And I ain't got much to say
But you're gonna miss me when I'm not there
You know I don't care
You know that I don't care
 
As we beg and steal and borrow
Life is hit and miss and this
I hope you think, you know
If you'll ever hear the names I call
And if I stumble, catch me when I fall
 
Baby after all, you'll never forget my name
Forget my name
You'll never forget my name
As we beg and steal and borrow
Life is hit and miss and this
I hope, I think, I know
If I'll ever hear the names you call
When I stumble, catch me when I fall
 
Baby after all, you'll never forget my name
Never forget my name
Never forget my name
That's that then.

CES BOTTES SONT FAITES POUR MARCHER

EMILIE-CLAIRE BARLOW
COMPOSITEUR: EMILIE-CLAIRE BARLOW
PAYS: CANADA
ALBUM: SEULE CE SOIR
RECORD: GROUPE DE MUSIQUE DE L’IMPERATRICE
GENRE: JAZZ
ANNÉE:2012
 
        Emilie-Claire Barlow(née le 6 juin 1976) est une chanteuse, arrangeuse, productrice de disques et comédienne canadienne. Elle a sorti plusieurs albums sur son label, Empress Music Group et a exprimé des personnages pour des séries télévisées animées. Elle chante en anglais, français et portugais.
        Le premier album de Barlow, Sings, est sorti en 1998. Elle a reçu sept nominations aux prix Juno du Canada avec son album Seule ce soir remportant le prix du meilleur enregistrement vocal de jazz en 2013 et Clear Day remportant le même prix en 2016. Seule ce soir a également remporté le prix Album de l'année – Interprétation jazz aux Prix ADISQ 2013. Barlow a également été nominé pour le prix Jack Richardson du producteur de l'année aux Juno Awards 2016.
        Barlow a été nommée chanteuse de l'année aux National Jazz Awards 2008. Elle a nommé comme influences Ella Fitzgerald, Tony Bennett et Stevie Wonder.
       Barlow a exprimé divers personnages pour des séries télévisées d'animation, dont Sailor Mars et Sailor Venus dans Sailor Moon, Courtney, Laurie et Ellody dans la série Total Drama, Chrissy dans 6teen, Mrs. Ridgemount dans Stoked, Bunny dans Almost Naked Animals et Theresa Falcone (MacDougall ) dans Fugget À propos de ça.
       Seule ce soir est un album de la chanteuse de jazz canadienne Emilie-Claire Barlow. C'est le premier album sur lequel elle chante chaque chanson en français. Il est sorti le 16 octobre 2012. Aux Juno Awards 2013, Seule ce soir a remporté le prix de l'album de jazz vocal de l'année. Il a également remporté le prix Album de l'année - Interprétation jazz aux Prix ADISQ 2013.
Quand tu m' dis que tu n'as pas d'autre fille
Je sais parfaitement que tu mens
Tout l' monde sait que tu me trompes souvent
Alors méfie-toi je t'avertis maint'nant
 
Ces bottes sont faites pour marcher
Et tu vas l' regretter
Car je mettrai ces bottes
Un jour ou l'autre pour te quitter
 
Tu mens tellement que c'est plus fort que toi
Et tu n' sais jamais où est la vérité
Comme tous les enfants tu crois être un homme
Mais toi dans ma vie tu ne m'as rien donné
 
Ces bottes sont faites pour marcher
Et tu vas l' regretter
Car je mettrai ces bottes
Un jour ou l'autre pour te quitter
 
Toi, tu joues avec le feu et tu t'amuses
Mais un jour viendra où tu vas t' brûler
Un autre a pris ta place et moi je l'aime
Et ce qu'il est, tu ne le seras jamais
 
Ces bottes sont faites pour marcher
Et tu vas l' regretter
Car je mettrai ces bottes
Un jour ou l'autre pour te quitter
 
Et maint'nant, c'est toi que je vais faire marcher.