CALL ME THE BREEZE

J. J. CALE

SONGWRITER: JOHN J. CALE

COUNTRY: U. S. A.

ALBUM: NATURALLY

LABEL: SHELTER RECORDFS

GENRE: BOOGIE ROCK

YEAR: 1971

 

          John Weldon "J. J." Cale (December 5, 1938 – July 26, 2013) was an American guitarist, singer, songwriter and sound engineer. Though he avoided the limelight, his influence as a musical artist has been widely acknowledged by figures such as Mark Knopfler, Neil Young and Eric Clapton, who described him as "one of the most important artists in the history of rock". He is considered to be one of the originators of the Tulsa sound, a loose genre drawing on blues, rockabilly, country, and jazz.

         In 2008, Cale and Clapton received a Grammy Award for their album The Road to Escondido.

Naturally is the debut studio album by J. J. Cale released on October 25, 1971.

           Cale, who was raised in Oklahoma, first tasted success in 1964 when singer Mel McDaniel scored a regional hit with Cale's composition "Lazy Me". From there Cale moved to California and worked at Leon Russell's home studio as a chief engineer and began performing at places like the Whisky a Go Go. With Johnny Rivers already performing there regularly, club co-owner Elmer Valentine rechristened Cale as J.J. Cale to avoid confusion with the John Cale in the Velvet Underground. In 1966, Cale cut an unsuccessful single for Liberty Records called "Slow Motion", but it was the B-side, "After Midnight", that would have long-term ramifications for Cale's career when Eric Clapton recorded the song and had a Top 20 hit. Cale, who was languishing in obscurity at the time, had no knowledge of Clapton's recording of "After Midnight" until it became a radio hit in 1970. Cale recalled to Mojo magazine that when he heard Clapton's version playing on his radio, "I was dirt poor, not making enough to eat and I wasn't a young man. I was in my thirties, so I was very happy. It was nice to make some money." Cale's friend and producer, Audie Ashworth, encouraged Cale to record a full album in order to capitalize on the success of his song.

They call me the breeze,

I keep blowing down the road

They call me the breeze,

I keep blowing down the road

I ain't got me nobody,

I ain't carrying me no load

 

Ain't no change in the weather,

Ain't no change in me

Ain't no change in the weather,

Ain't no change in me

 

I ain't hidin' from nobody,

Ain't nobody hidin' from me

I got that green light, babe,

I got to keep moving on

I got that green light, babe,

I got to keep moving on

I might go out to California,

Might go down to Georgia,

Might stay home.

IF YOU LEAVE ME NOW

CHICAGO

SONGWRITER: PETER CETERA

COUNTRY: U. S. A.

ALBUM: CHICAGO X

LABEL: COLUMBIA RECORDS

GENRE: SOFT ROCK

YEAR: 1976

 

           Chicago is an American rock band formed in Chicago, Illinois, in 1967. The group was initially billed as The Big Thing before calling themselves the Chicago Transit Authority in 1968, and then shortening the name in 1969. The self-described "rock and roll band with horns" blended elements of classical music, jazz, R&B, and pop music. They produced numerous top-40 hits over two decades, and continue to record and perform live.

                Growing out of several Chicago-area bands in the late 1960s, the line-up consisted of Peter Cetera on bass, Terry Kath on guitar, Robert Lamm on keyboards, Lee Loughnane on trumpet, James Pankow on trombone, Walter Parazaider on woodwinds, and Danny Seraphine on drums. Cetera, Kath, and Lamm shared lead vocal duties. Laudir de Oliveira joined the band as a percussionist and second drummer in 1974. Kath died in 1978, and was replaced by several guitarists in succession. Bill Champlin joined in 1981, providing vocals, keyboards, and rhythm guitar. Cetera left the band in 1985 and was replaced by Jason Scheff. Seraphine left in 1990, and was replaced by Tris Imboden. Although the band's lineup has been more fluid since 2000, Lamm, Loughnane, and Pankow have remained constant members. Parazaider retired in 2017, but is still a band member.

     The band's first album, Chicago Transit Authority(1969), a sprawling double album filled with experimental rock songs, initially failed to produce a hit single upon its release. Their second album, another double album simply titled Chicago(1970) (later retroactively titled Chicago II), continued with the format of experimental rock, and produced two top-10 singles, "Make Me Smile", which peaked at 9 on the Billboard Hot 100, and "25 or 6 to 4", which peaked at 4. Several singles from the first album were subsequently released or re-released in 1970 and 1971, with two additional songs charting in the top-10. The band would continue to produce hit albums based on the formula established with their first two records until 1978, when Kath died of an accidental self-inflicted gunshot wound. The band changed sounds as the 1980s began, where Peter Cetera and producer David Foster took the band in a less progressive direction, producing a number of soft rock and easy listening hits, including "Hard to Say I'm Sorry"(1982) from Chicago 16 and "You're the Inspiration"(1984) from Chicago 17, the band's biggest selling album in their career. Cetera left to pursue a solo career in 1985, but the band continued to produce hit singles under Foster's direction, including "Will You Still Love Me?"(1986), featuring lead vocals from new bassist Jason Scheff, and the band's best selling single of all time, "Look Away"(1988), with vocals by Bill Champlin. While the band failed to produce any hit songs from the 1990s onward, they continued to release albums and tour, including several highly successful co-headlining tours with fellow horn-based band Earth, Wind, and Fire. Their most recent album is Chicago XXXVII: Chicago Christmas from 2019.(…)

              "If You Leave Me Now" is a song by the American rock group Chicago, from their album Chicago X. It was written and sung by bass player Peter Cetera and released as a single on July 31, 1976. It is also the title of a Chicago compilation album released by Columbia Records (Columbia 38590) in 1983.

            The single topped the Billboard Hot 100 on October 23, 1976, and stayed there for two weeks, making it the first number one hit for the group as well as hitting number one on the Easy Listening charts. "If You Leave Me Now" was also Chicago's biggest hit internationally, topping the charts in other countries such as the UK, Australia, Ireland, Canada, and Netherlands. In the UK it maintained the number one position for three weeks. It was one of five "non-disco" songs to make it to number one in the US in a nine-month period of 1976. According to writer Zachary Houle of PopMatters, "The song was so pervasive on radio upon its release that, reportedly, those tuning in in New York could hear the song playing on four different stations, each with varying formats, simultaneously."

       The song won Grammy Awards for Best Arrangement Accompanying Vocalist(s) (strings) for arranger Jimmie Haskell and producer James William Guercio and Best Pop Vocal Performance by a Duo, Group or Chorus, the first Grammy Award won by the group. It also received a Grammy nomination for Record of the Year. In addition, by August 1978 it had sold 1.4 million copies in the United States alone. It has been certified gold and platinum by the RIAA. In an article from June 2020, The Guardian listed "If You Leave Me Now" as number 73 on its list of "The Greatest UK No 1s: 100–1", noting, "It’s impossibly lush and beautifully written, but its sadness is pervasive and affecting."

          In 2010 Chicago teamed with the American Cancer Society and offered the opportunity to bid on the chance to sing their hit, "If You Leave Me Now" with them on stage live at their concerts, with proceeds going to the American Cancer Society to fight breast cancer. The fund raising effort has continued in succeeding years.

If you leave me now

You'll take away the biggest part of me

Ooh-ooh, no, baby please don't go

And if you leave me now

You'll take away the very heart of me

Ooh-ooh, no, baby please don't go

Ooh-ooh, girl, I just want you to stay

 

A love like ours is love that's hard to find

How could we let it slip away?

We've come too far to leave it all behind

How could we end it all this way?

When tomorrow comes and we'll both regret

The things we said today

 

A love like ours is love that's hard to find

How could we let it slip away?

We've come too far to leave it all behind

How could we end it all this way?

When tomorrow comes and we'll both regret

The things we said today.

 

If you leave me now

You'll take away the biggest part of me

Ooh-ooh, no, baby please don't go

 

Ooh, girl, just got to have you by my side

Ooh-ooh, no, baby please don't go

Ooh, my, my, I just got to have your loving (hey, hey).

SLEEP TO DREAM

FIONA APPLE

SONGWRITER: FIONA APPLE MAGGART

COUNTRY: U. S. A.

ALBUM: TIDAL

LABEL: COLUMBIA RECORDS

GENRE: TRIP HOP/ROCK

YEAR: 1997

 

          Fiona Apple McAfee-Maggart(born September 13, 1977) is an American singer-songwriter. She has released five albums from 1996 to 2020, which have all reached the top 20 on the U.S. Billboard 200 chart. Apple has received numerous awards and nominations, including three Grammy Awards, two MTV Video Music Awards, and a Billboard Music Award.

        The youngest daughter of the actor Brandon Maggart, Apple was born in New York City and was raised alternating between her mother's home in New York and her father's in Los Angeles. Classically trained on piano as a child, she began composing her own songs when she was eight years old. Her debut album, Tidal, containing songs written when she was 17, was released in 1996 and received a Grammy Award for Best Female Vocal Rock Performance for the single "Criminal". She followed with When the Pawn... (1999), produced by Jon Brion, which was also critically and commercially successful and was certified Platinum.

      For her third album, Extraordinary Machine(2005), Apple again collaborated with Brion and began recording the album in 2002. However, Apple was reportedly unhappy with the production and opted not to release the record, leading fans to protest Epic Records, erroneously believing that the label was withholding its release. The album was eventually re-produced without Brion and released in October 2005. The album was certified Gold, and nominated for a Grammy Award for Best Pop Vocal Album. In 2012, she released her fourth studio album, The Idler Wheel..., which received critical praise and was followed by a tour of the United States and was nominated for the Grammy Award for Best Alternative Music Album in 2013. Apple's fifth studio album, Fetch the Bolt Cutters, was released in 2020 to widespread acclaim, earning two Grammy Awards: Best Alternative Music Album and Best Rock Performance for the lead single "Shameika".

           "Sleep to Dream" is a song written and recorded by American alternative singer-songwriter Fiona Apple. It was released on April 14, 1997 by Work Records and Columbia Records as the second single from her debut studio album, Tidal.

           The song's accompanying music video was filmed by French diretor Stéphane Sednaoui and received positive reviews. Apple won the MTV Video Music Award for Best New Artist in a Video in 1997, in which it garnered worldwide controversy after she proclaimed during her acceptance speech: "This world is bullshit, and you shouldn't model your life about what we think is cool, and what we're wearing and what we're saying." Despite peaking at only number 28 on the Billboard Alternative Songs chart, the song remains one of Apple's most successful singles to date. 

I tell you how I feel but you don't care

I say tell me the truth but you don't dare

You say love is a hell you cannot bear

And I say give me mine back and go there for all I care

 

I got my feet on the ground and I don't go to sleep to dream

You got your head in the clouds and you're not at all what you seem

This mind this body and this voice cannot be stifled by your deviant ways

So don't forget what I told you don't come around

I got my own hell to raise

 

I have never been so insulted in all my life

I could swallow the seas to wash down all this pride

First you run like a fool just to be at my side

And now you run like a fool but you just run to hide

I can't abide

 

I got my feet on the ground and I don't go to sleep to dream

You got your head in the clouds and you're not at all what you seem

This mind this body and this voice cannot be stifled by your deviant ways

So don't forget what I told you don't come around

I got my own hell to raise

 

Don't make it a big deal, don't be so sensitive

We're not playing a game anymore

You don't have to be so defensive

 

Don't you plead me your case, don't bother to explain

Don't even show me your face 'cause it's a crying shame

Just go back to the rock from under which you came

Take the sorrows you gave and all the stakes you claim

And don't forget to blame

 

I got my feet on the ground and I don't go to sleep to dream

You got your head in the clouds and you're not at all what you seem

This mind this body and this voice cannot be stifled by your deviant ways

So don't forget what I told you don't come around

I got my own hell to raise

 

I got my feet on the ground and I don't go to sleep to dream

You got your head in the clouds and you're not at all what you seem

This mind this body and this voice cannot be stifled by your deviant ways

So don't forget what I told you don't come around

I got my own hell to raise.

WHEN LOVE CALLS

ATLANTIC STARR

SONGWRITERS: DAVID LEWIS & WAYNE I. LEWIS

COUNTRY:

ALBUM: RADIANT

LABEL: A & M RECORDS

GENRE: SOUL

YEAR: 1981

 

       Atlantic Starr is an American band based in White Plains, New York. They are best known for the hits "Always", "Secret Lovers", "Send for Me", "Circles", "Silver Shadow" and "Masterpiece".

       Radiant is the third studio album by American rhythm and blues band Atlantic Starr.

Mmm, mmm

Hey, hoo, yeah

Ooh, ooh, yeah, whoa, whoa, yeah, yeah

Yeah

 

Here I stand with open arms

I'm offerin' my love to you

I want to do for you

All the things that you want me to

 

There's so much more

That I could do for you, yeah

But you just won't let me give you my love, boy

What is wrong with you

 

Don't you know when love calls, yeah

You'd better answer (You'd better answer)

‘Cause it might be big mistake

If you decide to hesitate

 

Oh, when love calls, yeah

You'd better answer (You'd better answer)

Don't let it slip away too many times

‘Cause love may not ever come again

 

Ooh, no

Oh, no

 

I know that your heart is into playin' the field

And that blinds you

Baby, you can't see

The forest for the trees, no, no

 

The candle in my heart

Burns slowly every day

Don't you mess around too long

And let it melt away

 

And I'm tellin' you when love calls, yeah

You'd better answer (You'd better answer)

‘Cause it might be big mistake

If you decide to hesitate

 

Oh, when love calls, yeah

You'd better answer (You'd better answer)

Don't let it slip away too many times

‘Cause love may not ever come again, oh

 

True love is so hard to come by

It's precious and it's rare, yeah

But I've got a lot of it to give

Don't miss out, don't you dare

 

Just this time

Come on and see it through, oh

I'm willing and waiting

But it's all up to you, oh...

 

When love calls, yeah

You'd better answer (You'd better answer)

Don't let it slip away too many times

‘Cause love may not ever come again

 

You'd better listen, yeah

(You'd better listen when love calls, baby)

(You'd better listen when love calls your name)

 

I'm callin' your name

(You'd better listen when love calls, baby)

(You'd better listen when love calls your name)

 

Ooh, ooh, yeah, whoa, whoa, yeah, yeah

(You'd better listen when love calls, baby)

(You'd better listen when love calls your name)

 

Ooh, ooh, yeah, whoa, whoa, yeah, yeah

(You'd better listen when love calls, baby)

(You'd better listen when love calls your name)

 

Ah, ah, yeah

(When love calls)

Ooh, better answer me, baby

‘Cause I'm waiting here for you.