HELLO, I LOVE YOU

THE DOORS
SONGWRITERS: JAMES MORRISON; JOHN DENSMORE; RAY MANZAREK & ROBBY KRIEGER
COUNTRY: U. S. A.
ALBUM: WAITING FOR THE SUN
LABEL: ELEKTRA RECORDS
GENRE: ROCK
YEAR: 1968
 
         The Doors were an American rock band formed in Los Angeles in 1965, with vocalist Jim Morrison, keyboardist Ray Manzarek, guitarist Robby Krieger, and drummer John Densmore. They were among the most controversial and influential rock acts of the 1960s, partly due to Morrison's lyrics and voice, along with his erratic stage persona, and the group is also widely regarded as an important part of the era's counterculture.
         The band took its name from the title of Aldous Huxley's book The Doors of Perception, itself a reference to a quote by William Blake. After signing with Elektra Records in 1966, the Doors with Morrison released six albums in five years, some of which are considered among the greatest of all time, including their self-titled debut (1967), Strange Days(1967), and L.A. Woman (1971). They were one of the most successful bands during that time and by 1972 the Doors had sold over 4 million albums domestically and nearly 8 million singles.
         Morrison died in uncertain circumstances in 1971. The band continued as a trio until disbanding in 1973. They released three more albums in the 1970s, two of which featured earlier recordings by Morrison, and over the decades reunited on stage in various configurations. In 2002, Manzarek, Krieger and Ian Astbury of the Cult on vocals started performing as "The Doors of the 21st Century". Densmore and the Morrison estate successfully sued them over the use of the band's name. After a short time as Riders on the Storm, they settled on the name Manzarek–Krieger and toured until Manzarek's death in 2013.
        Waiting for the Sun is the third studio album by the American rock band the Doors. Recorded at TTG Studios in Los Angeles, the album's 11 tracks were recorded between late 1967 and May 1968 and the album was released by Elektra Records on July 3, 1968. It became the band's only number one album (topping the charts for four weeks) and included their second US number one single, "Hello, I Love You" (for two weeks starting August 3, 1968). The first single released off the album was "The Unknown Soldier," which peaked at number 39 on the Billboard Hot 100. It also became the band's first hit album in the UK, where it peaked at number 16.
         Having released two records, the Doors started to improvise for this third LP in late 1967. Due to the absence of original material however, the group suffered what drummer John Densmore described as the "third album syndrome", meaning the difficulty of a band to have a stock of very good compositions, capable of filling a third disc in a row. This was something that had been pointed out by the critics at the time. The recording was also hugely difficult for the group due to lead singer Jim Morrison's worsening alcoholism.
        To coincide with the 50th anniversary of the album's release in 2018, a 1-LP/2-CD deluxe version of the album was released by Rhino Records. This was overseen by long-time Doors sound engineer Bruce Botnick.
Hello, I love you, won't you tell me your name?
Hello, I love you, let me jump in your game
Hello, I love you, won't you tell me your name?
Hello, I love you, let me jump in your game
 
She's walking down the street
Blind to every eye she meets
Do you think you'll be the guy
To make the queen of the angels sigh?
 
Hello, I love you, won't you tell me your name?
Hello, I love you, let me jump in your game
Hello, I love you, won't you tell me your name?
Hello, I love you, let me jump in your game
 
She holds her head so high, like a statue in the sky
Her arms are wicked, and her legs are long
When she moves my brain screams out this song
 
Sidewalk crouches at her feet
Like a dog that begs for something sweet
Do you hope to make her see, you fool?
Do you hope to pluck this dusky jewel?
 
Hello, hello, hello, hello, hello, hello, hello
I want you, hello, I need my baby
Hello, hello, hello, hello.

WON'T GET FOOLED AGAIN

THE WHO
SONGWRITER: Peter Dennis Blandfor Townshend
COUNTRY: U. K.
ALBUM: WHO’S NEXT
LABEL: DECCA RECORDS
GENRE: ROCK
YEAR: 1971
 
      The Who are an English rock band formed in London in 1964. Their classic lineup consisted of lead singer Roger Daltrey, guitarist and singer Pete Townshend, bass guitarist and singer John Entwistle, and drummer Keith Moon. They are considered one of the most influential rock bands of the 20th century, and have sold over 100 million records worldwide. Their contributions to rock music include the development of the Marshall Stack, large PA systems, the use of the synthesizer, Entwistle and Moon's influential playing styles, Townshend's feedback and power chord guitar technique, and the development of the rock opera. They are cited as an influence by many hard rock, punk rock and mod bands, and their songs are still regularly played. The Who were inducted into the Rock and Roll Hall of Fame in 1990.
       The Who developed from an earlier group, the Detours, and established themselves as part of the pop art and mod movements, featuring auto-destructive art by destroying guitars and drums on stage. Their first single as the Who, "I Can't Explain" (1965), reached the UK top ten, and was followed by a string of hit singles including "My Generation" (1965), "Substitute" (1966) and "Happy Jack" (1966). In 1967, they performed at the Monterey Pop Festival and released "I Can See for Miles", their only US top ten single. The group's 1969 concept album Tommy included the single "Pinball Wizard" and was a critical and commercial success.
       Who's Next is the fifth studio album by English rock band the Who. It developed from the aborted Lifehouse project, a multi-media rock opera conceived by the group's guitarist Pete Townshend as a follow-up to the band's 1969 album Tommy. The project was cancelled owing to its complexity and to conflicts with Kit Lambert, the band's manager, but the group salvaged some of the songs, without the connecting story elements, to release as their next album. Eight of the nine songs on Who's Next were from Lifehouse, the lone exception being the John Entwistle-penned "My Wife". Ultimately, the remaining Lifehouse tracks would all be released on other albums throughout the next decade.
      The Who recorded Who's Next with assistance from recording engineer Glyn Johns. After producing the song "Won't Get Fooled Again" in the Rolling Stones Mobile Studio, they relocated to Olympic Studios to record and mix most of the album's remaining songs. They made prominent use of synthesizer on the album, particularly on "Won't Get Fooled Again" and "Baba O'Riley", which were both released as singles. The cover photo was shot by Ethan Russell; it made reference to the monolith in the 1968 film 2001: A Space Odyssey, as it featured group members standing by a concrete piling protruding from a slag heap in Easington Colliery, County Durham, apparently having urinated against it.
         The album was an immediate success when it was released on 14 August 1971. It has since been viewed by many critics as the Who's best album and one of the greatest albums of all time. It was reissued on CD several times, often with additional songs originally intended for Lifehouse included as bonus tracks.
We'll be fighting in the streets
With our children at our feet
And the morals that they worship will be gone
And the men who spurred us on
Sit in judgement of all wrong
They decide and the shotgun sings the song
 
I'll tip my hat to the new Constitution
Take a bow for the new revolution
Smile and grin at the change all around
Pick up my guitar and play
Just like yesterday
Then I'll get on my knees and pray
We don't get fooled again
 
A change, it had to come
We knew it all along
We were liberated from the fold, that's all
And the world looks just the same
And history ain't changed
'Cause the banners, they all flown in the last war
 
I'll tip my hat to the new Constitution
Take a bow for the new revolution
Smile and grin at the change all around
Pick up my guitar and play
Just like yesterday
Then I'll get on my knees and pray
We don't get fooled again, no, no
 
I'll move myself and my family aside
If we happen to be left half-alive
I'll get all my papers and smile at the sky
For I know that the hypnotized never lie
 
Do you?
Yeah
 
There's nothing in the street
Looks any different to me
And the slogans are effaced, by-the-bye
And the parting on the left
Is now parting on the right
And the beards have all grown longer overnight
 
I'll tip my hat to the new Constitution
Take a bow for the new revolution
Smile and grin at the change all around
Pick up my guitar and play
Just like yesterday
Then I'll get on my knees and pray
We don't get fooled again
Don't get fooled again, no, no
 
Yeah
Meet the new boss
Same as the old boss.

YOUR SONG

ELLIE GOULDING
SONGWRITERS: BERNARD J. P. TAUPIN & ELTON JOHN
COUNTRY: U. K.
ALBUM: LIGHTS
LABEL: POLYDOR RECORDS
GENRE: INDIE
YEAR: 2010
 
          Elena Jane Goulding(/ˈɡoʊldɪŋ/GOHL-ding; born 30 December 1986) is an English singer and songwriter. Her career began when she met record producers Starsmith and Frankmusik, and she was later spotted by Jamie Lillywhite, who later became her manager and A&R. After signing to Polydor Records in July 2009, Goulding released her debut extended play, An Introduction to Ellie Goulding later that year.
            In 2010, she became the second artist to top the BBC's annual Sound of... poll and win the Critics' Choice Award at the Brit Awards in the same year. She released her debut studio album, Lights, in 2010; it debuted at Nº1 on the UK Albums Chart and has sold over 850,000 copies in the UK. In November 2010, the album was reissued as Bright Lights, spawning two singles: a cover of Elton John's "Your Song", which reached Nº 2 on the UK Singles Chart; and "Lights", which peaked at Nº 2 on the US Billboard Hot 100, becoming Goulding's highest-charting single to date.
       Lights is the debut studio album by English singer and songwriter Ellie Goulding. It was released on 26 February 2010 by Polydor Records. Goulding collaborated with several producers on the album, including Starsmith, Fraser T. Smith, Frankmusik, Richard "Biff" Stannard, Ash Howes, Liam Howe, Fred Falke and Mumford & Sons' Ben Lovett. The album received generally positive reviews from music critics. Commercially, it debuted atop the UK Albums Chart with first-week sales of 36,854 copies. In North America, Lights charted at number 21 in the United States and at number 66 in Canada. Four singles were released from the album: "Under the Sheets", "Starry Eyed", "Guns and Horses" and "The Writer".
          The album was re-released as Bright Lights on 29 November 2010, including seven new tracks. It spawned two additional singles—a cover version of Elton John's "Your Song", which peaked at number two on the UK Singles Chart, and "Lights", which reached number two on the Billboard Hot 100 and became Goulding's most successful single in the US. On 8 March 2011, the album was released in the United States, with two songs removed and featuring three songs that were previously not available on the original version, but were included on the Bright Lights reissue.
        On 26 February 2020, Goulding re-released the album once again for its tenth anniversary. Entitled Lights 10, the re-release includes the seven bonus tracks previously featured on Bright Lights along with the six remixes featured on the 2010 EP Run into the Light. For Record Store Day 2020, Goulding announced an LP release of this reissue; pressed as a double LP on recycled vinyl to reduce environmental impact.
It's a little bit funny
This feeling inside
I'm not one of those who can
Easily hide
 
I don't have much money
But boy if I did
I'd buy a big house where
We both could live.
 
So excuse me forgetting
But these things I do
See I've forgotten if
They're green or they're blue
 
Anyway the thing is,
What I really mean,
Yours are the sweetest eyes
I've ever seen
 
And you can tell everybody
This is your song
It maybe quite simple but
Now that it's done
I hope you don't mind
I hope you don't mind
That I put down in words
How wonderful life is
Now you're in the world
 
If I was a sculptor
But then again no
Or a girl who makes potions in
A traveling show
I know it's not much but
It's the best I can do.
My gift is my song and
This one's for you.
 
Oh, oh, oh, oh, oh, oh, oh, oh
 
And you can tell everybody
This is your song
It may be quite simple but
Now that it's done
I hope you don't mind
I hope you don't mind
That I put down in words
How wonderful life is
Now you're in the world.

DON’T GIVE UP ON ME

JAMIE CULLUM
SONGWRITERS: IAIN ARCHER & JAMIE CULLUM
COUNTRY: U. K.
ALBUM: DON’T GIVE UP ON ME
LABEL: LIONESS
GENRE: JAZZ
YEAR: 2020
 
        Jamie Cullum(born 20 August 1979) is an English jazz-pop singer-songwriter and radio presenter. Although primarily a vocalist and pianist, he also accompanies himself on other instruments, including guitar and drums. He has recorded eight studio albums, three compilation albums, one live album and twenty-four singles. Since April 2010, he has presented a weekly Tuesday evening jazz show on BBC Radio 2.
Well, I struggle for perfection
And there's moonlight in the flaws
Well, I'm dazzled by projections
Going deeper into loss
 
You can close your ears and lock the doors
And never let the hope in
But don't shut out the truth because
Love only gets in when you're open
 
Don't give up on me
Don't give up on me
When you hold me
When you hold me
Like you can't let go
Like you can't let go
When you hold me
When you hold me
Like you can't let go?
When you can't let go
 
So come on and let me reach out
And let's use these days for living
When I fall asleep I dream now
I thought that I was drifting
 
We tone down and realize
To bloom, you must be broken
But don't shut out the truth, because
Love only gets in when you're open
 
Don't give up on me
Don't give up on me
When you hold me
When you hold me
Like you can't let go
Like you can't let go
When you hold me
When you hold me
Like you can't let go
When you can't let go
 
You can close your ears and lock the doors
And never let the hope in
But don't shut out the truth because
Love only gets in
 
When you hold me
When you hold me
Like you can't let go
Like you can't let go
When you hold me
When you hold me
Like you can't let go
You can't let go
Don't give up on me.