TILL THE END OF TIME

BECK ROBIN

SONGWRITERS: Buddy Kaye & Ted Mossman

COUNTRY: U. S. A.

ALBUM: THE GRATE ESCAPE

LABEL: HER ROYAL MAJESTY’S RECORDS

GENRE: ROCK

YEAR: 2011

"Till the End of Time" is a popular song written by lyricist Buddy Kaye and composer Ted Mossman and published in 1945. The melody is based on Frédéric Chopin's Polonaise in A flat major, Op. 53, the "Polonaise héroique".

A number of recordings of the song were made in 1945. The biggest hit was by Perry Como; another version by Dick Haymes also charted; the Les Brown orchestra, with vocalist Doris Day, and Ginny Simms also made a recording of the song. It featured prominently in the 1946 film of the same name.

The Perry Como recording was made on July 3, 1945 with the orchestra of Russ Case, and released by RCA Victor as catalog number 20-1709. The record first reached the Billboard magazine charts on August 9, 1945, and lasted 17 weeks on the chart, peaking at #1 (spending 10 consecutive weeks at the top). This was Como's first #1 hit song.

The Dick Haymes recording was recorded on July 2, 1945, and released by Decca Records as catalog number 18699. The record first reached the Billboard magazine charts on September 13, 1945 and lasted 8 weeks on the chart, peaking at #3.

The Les Brown/Doris Day recording was recorded on May 17, 1945, and released by Columbia Records as catalog number 36828. It peaked at #3 on the Billboard magazine pop chart.

The Ginny Simms recording was recorded on July 15, 1945, and released by Columbia Records as catalog number 36849. It did not chart on Billboard.

Robin Beck(born November 7, 1954) is an American singer. She topped the singles chart in the United Kingdom in 1988, and Germany in 1989, with her single "First Time", which had come to the public's attention via its use in a Coca-Cola commercial. Other well-known songs of hers are "Save Up All Your Tears", "In My Heart to Stay", "Tears in the Rain" and "Close to You".

Also, "First Time" was successfully covered or sampled many times, the most recent was made by Sunblock in 2006, peaking at number nine on the UK Singles Chart. Beck also performed it with German pop star Helene Fischer.

Was livin' in a lonely world

A shadow in the night when baby

There you were and you saved me with a smile

You really took my breath away

You caught me by surprise cause darlin'

I wasn't lookin' to meet somebody

But I got lost in your eyes

And here we are so in love

It was all in the stars

I'll love you till the end of time

I'll give my heart I give my life

You know that I would do

Anything for you I feel alive

I promise till the end of days

I'll prove in a thousand ways

I'll be yours and you'll be mine

Till the end of time

You're everything I'll ever need

I know you'll understand, oh baby

Since I met you I been more of a woman

And I'm a better man

And you will never be lost and alone anymore

I'll love you till the end of time

I'll give my heart I give my life

You know that I would do

Anything for you I feel alive

I promise till the end of days

I'll prove in a thousand ways

I'll be yours and you'll be mine

Till the end of time

We're ridin' on a passion of love

We're flyin' in the heavens above

And nothin' gonna bring us down

I love you till the end of time

I give my heart I give my life

I'll be by your side

Day and night

I'll love you till the end of time

I'll give my heart I give my life

You know that I would do

Anything for you I feel alive

I promise till the end of days

I'll prove in a thousand ways

I'll be yours and you'll be mine

I'll love you till the end of time.

COULD IT BE MAGIC?

TAKE THAT

SONGWRITERS: BARRY MANILOW, FRPEDÉRIC CHOPIN & ADRIENNE ANDERSON

WHERE: LIVE IN BERLIN

COUNTRY: U. K.

ALBUM: TAKE THAT & PARTY

LABEL: RCA VICTOR

GENRE: POP

YEAR: 1992

"Could It Be Magic" is a song with lyrics by Adrienne Anderson and music by Barry Manilow, based on Frédéric Chopin's Prelude in C Minor, Opus 28, Number 20. Initially released in 1971 by Featherbed (a group of session musicians featuring Barry Manilow), produced and co-written by Tony Orlando, it was later re-recorded as a Barry Manilow solo track, given a first album and single release in 1973 on Bell Records and - after remixing - an album and single rerelease in 1975 on Arista Records. The 1975 re-release became one of Manilow's first hits. The song has been recorded by a number of other artists over the years, most successfully by Donna Summer in 1976 and by Take That in 1992.

Take That are an English pop group formed in Manchester in 1990. The group currently consists of Gary Barlow, Howard Donald and Mark Owen. The original line-up also featured Jason Orange and Robbie Williams. Barlow acts as the group's lead singer and primary songwriter, with Owen and Williams initially providing backing vocals and Donald and Orange serving primarily as dancers.

The group have had 28 top 40 singles and 17 top 5 singles in the United Kingdom, 12 of which have reached number one, as well as having eight number one albums. Internationally, the band have had 56 number one singles and 39 number one albums. They have received eight Brit Awards—winning awards for Best British Group and Best British Live Act.

Williams left the band in 1995 while the four remaining members completed their world tour and released a final single before splitting up in 1996. After filming a 2005 documentary about the group and releasing a new greatest hits album, a four-piece Take That without Williams officially announced a 2006 reunion tour around the UK, entitled The Ultimate Tour. On 9 May 2006, it was announced that the group were set to record new material together once again; their fourth studio album, Beautiful World, was released in 2006 and was followed up with The Circus, in 2008. The group achieved new success as a four-piece, scoring a string of chart hits across the UK and Europe while selling over 45 million records worldwide.

Spirits move me, every time I'm near you

Whirling like a cyclone in my mind

You're my life line, angel of my lifetime

Answer to all answer I can find

[CHORUS:]

Baby I want you come, come, come into my arms

Let me feel the wonder of all of you

Could it be magic now, now, now and hold on fast

Could this be the magic at last

Baby take me high upon a hillside

High up where the stallion meets the sun

I could love you build my world around you

Never leave you till my life is done

[CHORUS]

Spirits move me every time I'm near you

Whiling like a cyclone in my mind

[CHORUS]

THE FIELDS OF ATHENRY

PADDY REILLY & THE DUBLINERS

SONGWRITER: PETE St. john

COUNTRY: ireland

ALBUM: blackout

LABEL: sanctuary

GENRE: IRISH FOLK

YEAR: 1970

"The Fields of Athenry" is na Irish folk ballad set during the Great Irish Famine(1845–1850). The lyrics feature a fictional man named Michael from near Athenry in County Galway who stole food for his starving family and has been sentenced to transportation to the Australian penal colony at Botany Bay. It is a widely known and popular anthem for Irish sports supporters.

"The Fields of Athenry" was written in the 1970s by Pete St. John. A claim was made in 1996 that a broadsheet ballad published in the 1880s had similar words; however, the folklorist and researcher John Moulden found no basis to this claim, and Pete St. John has stated that he wrote the words as well as the music.

The song was first recorded by Jerry Crilly. In 1979, it was recorded by Danny Doyle, reaching the top ten in the Irish Singles Chart. The song charted again in 1982 for Barleycorn, reaching number seven in Ireland, but the most successful version was released by Paddy Reilly in 1982. While peaking only at number four, it remained in the Irish charts for 72 weeks. Two further versions have since reached the Irish top ten: the Cox Crew getting to number five in 1999, while Dance to Tipperary peaked at number six in 2001.

The lyrics say the convict's crime is that he "stole Trevelyan's corn"; this is a reference to Charles Edward Trevelyan, a senior British civil servant in the administration of the Lord Lieutenant of Ireland in Dublin Castle. Trevelyan famously said, "the judgement of God sent the calamity to teach the Irish a lesson". He believed that the starving Irish could subsist on maize, a grain that they could not afford, and had little knowledge of or experience in preparing.

The Dubliners were an Irish folk band founded in Dublin in 1962 as The Ronnie Drew Ballad Group after its founding member; they subsequently renamed themselves The Dubliners. The line-up saw many changes over their fifty-year career, but the group's success was centred on lead singers Luke Kelly and Ronnie Drew. The band garnered international success with their lively Irish folk songs, traditional street ballads and instrumentals. The band were regulars on the folk scenes in both Dublin and London in the early 1960s, and were signed to the Major Minor label in 1965 after backing from Dominic Behan. They went on to receive extensive airplay on Radio Caroline, and eventually appeared on Top of the Pops in 1967 with hits "Seven Drunken Nights" (which sold over 250,000 copies in the UK) and "The Black Velvet Band". Often performing political songs considered controversial at the time, they drew criticism from some folk purists and Ireland’s national broadcaster RTÉ had placed an unofficial ban on their music from 1967 to 1971. During this time the band's popularity began to spread across mainland Europe and they appeared on The Ed Sullivan Show in the United States. The group's success remained steady right through the 1970s and a number of collaborations with The Pogues in 1987 saw them enter the UK Singles Chart on another two occasions.

By a lonely prison wall,

I heard a young girl calling

Michael, they have taken you away,

For you stole Trevelyan's corn,

So the young might see the morn.

Now a prison ship lies waiting in the bay.

Low lie the fields of Athenry

Where once we watched the small free birds fly

Our love was on the wing, we had dreams and songs to sing

It's so lonely 'round the fields of Athenry.

By a lonely prison wall,

I heard a young man calling

Nothing matters, Mary, when you're free

Against the famine and the Crown,

I rebelled, they cut me down.

Now you must raise our child with dignity.

Low lie the fields of Athenry

Where once we watched the small free birds fly

Our love was on the wing, we had dreams and songs to sing

It's so lonely 'round the fields of Athenry.

By a lonely harbor wall,

she watched the last star falling

As that prison ship sailed out against the sky

Sure she'll wait and hope and pray,

for her love in Botany Bay

It's so lonely 'round the fields of Athenry.

It's so lonely 'round the fields of Athenry.

Low lie the fields of Athenry

Where once we watched the small free birds fly

Our love was on the wing, we had dreams and songs to sing

It's so lonely 'round the fields of Athenry.

I WILL ALWAYS RETURN

BRYAN ADAMS

SONGWRITERS: HANS ZIMMER; ROBERT JOHN LANGE & BRYAN ADAMS

MOVIE: SPIRIT

COUNTRY: CANADA

ALBUM: SPIRIT: STALLION OF THE CIMARRON

LABEL: A & M RECORDS

GENRE: SOUNDTRACK

YEAR: 2002

Spirit: Stallion of the Cimarron is a soundtrack album and the ninth studio album by Bryan Adams and Hans Zimmer to the animated feature of the same name. The album was released on May 4, 2002 (see 2002 in music) and includes the European hit, "Here I Am".

Both the English and French versions of the album have Bryan Adams as the singer.

The German vocals were provided by Hartmut Engler, lead singer of the German pop band Pur. Spanish vocals in the Latin version of the soundtrack were recorded by Mexican Singer Erik Rubin and Italian vocals in the Italian version of the soundtrack were recorded by singer Zucchero. In the Spanish version, Raúl Malo also sings several songs. In Brazil, a Portuguese version of the soundtrack was recorded by Brazilian Singer Paulo Ricardo.

Bryan Guy Adams OC OBC(born 5 November 1959) is a Canadian singer, songwriter, record producer, guitarist, photographer, philanthropist and activist.

Adams rose to fame in Canada and the United States with his 1983 album Cuts Like a Knife and turned into a global star with his 1984 album Reckless, which produced some of his best known songs, including "Run to You" and "Summer of '69". In 1991, he released "(Everything I Do) I Do It for You" from the album Waking Up the Neighbours The song was written for the film Robin Hood: Prince of Thieves and the song became a worldwide hit which went to number 1 in many countries, including 16 consecutive weeks in the United Kingdom, a new record as well as 72 weeks in the top 20. Adams also had the U.S. BillboardHot 100 number-one singles "Heaven", "All for Love" and "Have You Ever Really Loved a Woman?"

I hear the wind call my name

The sound that leads me home again

It sparks up the fire - a flame that still burns

To you I'll always return

I know the road is long

But where you are is home

Wherever you stay

I'll find the way

I'll run like the river

I'll follow the sun

I'll fly like an eagle

To where I belong

Can't stand the distance

I can't dream alone

I can't wait to see you

Yes, I'm on my way home

And now I know it's true

My every road leads to you

And in the hour of darkness

Your light gets me through

You run like the river

You shine like the sun (yeah)

You fly like an eagle

Yeah, you are the one

I've seen every sunset

And with all that I've learned

Is to you, I will always, always return.

I LOVE PARIS

AVALON JAZZ BAND

SONGWRITER: COLE PORTER

COUNTRY: U. S. A.

ALBUM: I WISH YOU LOVE

LABEL: AVALON JAZZ BAND

GENRE: JAZZ

YEAR: 2016

"I Love Paris" is a popular song written by Cole Porter and published in 1953. The song was introduced by Lilo in the musical Can-Can. A line in the song's lyrics inspired the title of the 1964 movie Paris When It Sizzles.

As two musicians involved in the New York swing renaissance, Tatiana Eva-Marie and Adrien Chevalier wanted to share their experience of French jazz with their American audience, and that’s how Avalon Jazz Band was born. Ever since its creation, the band has performed in the hottest clubs and venues in the city, from hidden speakeasies to the Oak Room at the Plaza. In July 2012 they were invited by the French Ambassador to give two private concerts in Washington for the French National Day and represent the expansion of French culture in the United States.

The music of Avalon Jazz Band is inspired by the Parisian jazz scene of the 1940’s, which emblematic sound was made popular by Django Reinhardt and Stéphane Grappelli. They perform the American standards popular in France at that period, but also the songs of French composers influenced by that new sound called « jazz ». In addition to these classics, Avalon Jazz Band also performs the original music written by their vocalist Tatiana Eva-Marie, who offers her own vision of what contemporary swing can be, blending her francophone culture into her American experience.

The Zazous, the swing youth of Paris, were a subculture in France in the 1930’s and 1940’s. During World War II, they expressed their resistence and their nonconformity through music and dance. They wore big excentric clothing, checkered and colourful, had long hair and always carried an umbrella when it didn’t rain, to underline the irony of their time. When the yellow star was forced on Jews, the Zazous began to wear yellow stars with ‘Swing’ written on them. They became persecuted and gathered in the medieval cellars in the Latin Quarter, the heart of the jazz culture in Paris.

Why is it called Avalon Jazz Band? Tatiana Eva-Marie, who has a Master’s Degree in medieval studies from the Sorbonne University in Paris, came up with the band’s name. In arthurian legends, Avalon is the island of regeneration where King Arthur goes to rest after his last battle and whence he will return some day to rule over his land once again. The name «Avalon» carries the symbol of rebirth and underlines the band’s involvment in the current swing renaissance.

Tatiana Eva-Marie is a singer and actress living in New York City. She is the lead singer of the Gypsy-French Avalon Jazz Band and was recently included, alongside Cyrille Aimée and Cecile McLorin Salvant, in a list of 37 rising jazz stars by the magazine Vanity Fair. 

Every time i look down on this timeless town,

Whether blue or gray be her skies,

Whether loud be her cheers, or whether soft be her tears,

More and more do I realize that...

I love Paris in the spring time

I love Paris in the fall

I love Paris in the summer when it sizzles

I love Paris in the winter when it drizzles

I love Paris every moment

Every moment of the year

I love Paris, why oh why do I love Paris

Because my love is here.

AUTUMN LEAVES

BEEGIE ADAIR TRIO

SONGWRITERS: JOSEPH KOSMA &JACQUES PRÉVERT

IN ENGLISH: JOHNNY MERCER

STYLE: INSTRUMENTAL

COUNTRY: U. S. A.

ALBUM: DAYS OF WINE AND ROSES SONGS OF JOHNNY MERCER

LABEL: VILLAGE SQUARE

GENRE: JAZZ

YEAR: 2003

Bobbe Gorin "Beegie" Adair, née Long (born December 11, 1937, Barren County, Kentucky, United States) is an American jazz pianist. She studied piano at Western Kentucky University. She moved to Nashville, Tennessee, where she did graduate work at Peabody College. She later went on to form the Beegie Adair Trio.

Adair has recorded and appeared in over 90 recordings (37 of which are recorded with her trio, the Beegie Adair Trio, which consists of bassist Roger Spencer and percussionist Chris Brown), ranging from Cole Porter standards to Frank Sinatra classics to romantic World War II ballads. She has released a six-CD Centennial Composers Collection of tunes by Rodgers, Gershwin, Kern, Ellington, Carmichael and Berlin. Adair cites George Shearing, Bill Evans, Oscar Peterson and Erroll Garner among her influences.

She lives in Franklin, Tennessee. Her late husband, Billy, was an associate professor of jazz studies at the Blair School in Vanderbilt University until his death in February 2014. She is a Board & Faculty member of the Nashville Jazz Workshop and performs regularly in Nashville.

"Autumn Leaves" is a popular song and jazz standard composed by Joseph Kosma with lyrics by Jacques Prévert.

BESAME MUCHO

DAVE BRUBECK

SONGWRITER: CONSUELO VELÁSQUEZ

INSTRUMENT: PIANO

COUNTRY: U. S. A.

ALBUM: ON TIME

LABEL: SMSP

GENRE: JAZZ

YEAR: 1967

David Warren Brubeck(/ˈbruːbɛk/; December 6, 1920 – December 5, 2012) was an American jazz pianist and composer, considered one of the foremost exponents of cool jazz. He wrote a number of jazz standards, including "In Your Own Sweet Way" and "The Duke". Brubeck's style ranged from refined to bombastic, reflecting both his mother's attempts at classical training and his own improvisational skills. His music is known for employing unusual time signatures as well as superimposing contrasting rhythms, meters, and tonalities.

Brubeck experimented with time signatures throughout his career, recording "Pick Up Sticks" in 6/4, "Unsquare Dance" in 7/4, "World's Fair" in 13/4, and "Blue Rondo à la Turk" in 9/8. He was also a composer of orchestral and sacred music and wrote soundtracks for television, such as Mr. Broadway and the animated miniseries This Is America, Charlie Brown.

Often incorrectly attributed to Brubeck, the song "Take Five", which has become a jazz standard, was composed by Brubeck's long-time musical partner, alto saxophonist Paul Desmond. Appearing on one of the top-selling jazz albums, Time Out, and written in 5/4 time, "Take Five" has endured as a jazz classic associated with Brubeck.

Dave Brubeck was born in the San Francisco Bay Area city of Concord, California, and grew up in a city located in the Mother Lode called Ione, California. His father, Peter Howard "Pete" Brubeck, was a cattle rancher, and his mother, Elizabeth (née Ivey), who had studied piano in England under Myra Hess and intended to become a concert pianist, taught piano for extra money.

His father had Swiss ancestry (the family surname was originally Brodbeck) and possibly Native American Modoc lineage, while his maternal grandparents were English and German. Brubeck originally did not intend to become a musician (his two older brothers, Henry and Howard, were already on that track), but took lessons from his mother. He could not read music during these early lessons, attributing this difficulty to poor eyesight, but "faked" his way through well enough that this deficiency went mostly unnoticed.

Intending to work with his father on their ranch, Brubeck entered the College of the Pacific in Stockton, California (now the University of the Pacific), studying veterinary science. He changed to music on the urging of the head of zoology, Dr. Arnold, who told him "Brubeck, your mind's not here. It's across the lawn in the conservatory. Please go there. Stop wasting my time and yours." Later, Brubeck was nearly expelled when one of his professors discovered that he could not read music on sight. Several of his professors came forward, arguing that his ability to write counterpoint and harmony more than compensated, and demonstrated his familiarity with music notation. The college was still afraid that it would cause a scandal, and agreed to let Brubeck graduate only after he had promised never to teach piano.

HOW IT FEELS TO BE FREE

NINA SIMONE

SONGWRITERS: BILLY TAYLOR & DICK DALLAS(RICHARD CARROLL LAMB)

WHERE: AT JAZZ FESTIVAL IN MONTREAUX

COUNTRY: U. S. A.

ALBUM: SILK AND SOUL

LABEL: RCA RECORDS

GENRE: JAZZ

YEAR: 1967

"I Wish I Knew How It Would Feel to Be Free" is a jazz song written by Billy Taylor and Dick Dallas. Taylor's original version (as "I Wish I Knew") was recorded on November 12, 1963, and released on his Right Here, Right Now! album (Capitol ST-2039) the following year. His 1967 instrumental take was later used as the theme music for the Film... review programme series on BBC Television.

Taylor said: "I wrote this song, perhaps my best-known composition, for my daughter Kim. This is one of the best renditions I’ve done because it is very spiritual."

The song served as an anthem for the Civil Rights Movement in America in the 1960s. A widely played version was recorded by Nina Simone in 1967 on her Silk & Soul album.

Lighthouse Family covered it as (I Wish I Knew How It Would Feel to Be) Free/One.

Other artists who have covered the song include Illinois Jacquet(1968), Solomon Burke(1968), Cold Blood (1969), John Denver (1969), Mary Travers(1971), Jools Holland(1997), Levon Helm(2009), Tedeschi Trucks Band, and Emeli Sandé(2012). The song was also covered by Andra Day or the 2017 Film Acrimony.

Nina Simone(/ˈniːnəsɪˈmoʊn/; born Eunice Kathleen Waymon; February 21, 1933 – April 21, 2003) was an American singer, songwriter, pianist, arranger, and activist in the Civil Rights Movement. Her music spanned a broad range of musical styles including classical, jazz, blues, folk, R&B, gospel, and pop.

Born in North Carolina, the sixth child of a preacher, Waymon initially aspired to be a concert pianist. With the help of a few supporters in her hometown of Tryon, she enrolled in the Juilliard School of Music in New York.

Waymon then applied for a scholarship to study at the prestigious Curtis Institute of Music in Philadelphia, where she was denied admission despite a well-received audition. Waymon became fully convinced this rejection had been entirely due to racial discrimination. In 2003, just days before her death, the Curtis Institute of Music bestowed on her an honorary degree.

To make a living, Eunice Waymon changed her name to "Nina Simone". The change related to her need to disguise herself from family members, having chosen to play "the devil's music" or "cocktail piano" at a nightclub in Atlantic City. She was told in the nightclub that she would have to sing to her own accompaniment, which effectively launched her career as a jazz vocalist.

Simone recorded more than 40 albums between 1958 and 1974. She made her debut with the álbum Little Girl Blue. She had a hit in the United States in 1958 with "I Loves You, Porgy".

Simone's musical style fused gospel and pop with classical music, in particular Johann Sebastian Bach, and accompanied expressive, jazz-like singing in her contralto voice. 

I wish I knew how

It would feel to be free

I wish I could break

All the chains holding me

I wish I could say

All the things that I should say

Say 'em loud say 'em clear

For the whole round world to hear

I wish I could share

All the love that's in my heart

Remove all the bars

That keep us apart

I wish you could know

What it means to be me

Then you'd see and agree

That every man should be free

I wish I could give

All I'm longin' to give

I wish I could live

Like I'm longin' to live

I wish I could do

All the things that I can do

And though I'm'm way over due

I'd'd be starting a new

Well I wish I could be

Like a bird in the sky

How sweet it would be

If I found I could fly

Oh I'd'd soar to the sun

And look down at the sea

Than I'd sing cos I know - yea

Then I'd sing cos I know - yea

Then I'd sing cos I know

I'd'd know how it feels

Oh I'd know how it feels to be free

Yea Yea! Oh, I'd know how it feels

Yes I'd know

Oh, I'd know

How it feels

How it feels

To be free.

PERCHÉ, PERCHÉ

TONY RENIS

PAROLIERE: ALBERTO TESTA

PAESE: ITALIA

ALBUM: MADE IN ITALY

ETICHETTA: EMI MARKETING

GENERE: POP

ANNO: 2004

Tony Renis (nato il 13 maggio 1938), nome d'arte di Elio Cesari, è un cantante, compositore, compositore, produttore musicale e attore cinematografico italiano.

Nato a Milano, ha debuttato a metà degli anni '50, in coppia con Adriano Celentano, esibendo un'impressione di Dean Martin e Jerry Lewis. Nel 1958, ha firmato per l'etichetta "Combo Record" come cantante e ha iniziato a pubblicare cover di canzoni italiane e americane. Nel 1961, Renis debuttò al Festival di Sanremo con la canzone "Pozzanghere". 

Nel 1962, Renis ottenne successi internazionali con la canzone "Quando, quando, quando", scritta con Alberto Testa e rappresentata al Festival di Sanremo. [1] Un anno dopo, vinse lo stesso Festival con la canzone "Una per tutte", e nel 1967 raggiunse il secondo posto con la canzone "Quando dico che ti amo"

Cica cica cica cica cica cica...

Ma perché perché

Penso sempre a te

Ma perché se sogno sogno te

Immaginando immaginando

Che ti sto baciando

Stretta stretta in braccio a me

Ma chissà chissà

Cosa mai sarà

Che cos'hai che un'altra non avrà

Mi son trovato innamorato

All'improvviso accanto a te

Ne conosco centomila ma mi piaci tu

E con te ci sto bene veramente

Tu sei differente

Ma perché perché

Penso sempre a te

Ma perché non vivo senza te

Amore amore ti voglio bene

Sai che son sincero

T'amo per davvero

Ma perché perché. Perché

…...

Ne conosco centomila ma mi piaci tu

E con te ci sto bene veramente

Tu sei differente

Ma perché perché

Penso sempre a te

Ma perché non vivo senza te

Amore amore ti voglio bene

Sai che son sincero

T'amo per davvero

Ma perché perché. Perché

Cica cica cica cica cica...