MILES DAVIS - ALL BLUES

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ALL BLUES

MILES DAVIS
INSTRUMENT: TRUMPET
SONGWRITER: MILES DAVIS
COUNTRY:
ALBUM: KIND OF BLUES
LABEL: COLUMBIA RECORDS
GENRE: MODAL JAZZ
YEAR: 1969
 
      Miles Dewey Davis III(May 26, 1926– September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz.
        Born in Alton, Illinois, and raised in East St. Louis, Davis left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the Birth of the Cool sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, Miles Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival in 1955, he signed a long-term contract with Columbia Records and recorded the 1957 album 'Round About Midnight. It was his first work with saxophonist John Coltrane and bassist Paul Chambers, key members of the sextet he led into the early 1960s. During this period, he alternated between orchestral jazz collaborations with arranger Gil Evans, such as the Spanish music-influenced Sketches of Spain(1960), and band recordings, such as Milestones (1958) and Kind of Blue(1959). The latter recording remains one of the most popular jazz albums of all time, having sold over five million copies in the U.S.
       "All Blues" is a jazz composition by Miles Davis first appearing on the influential 1959 album Kind of Blue. It is a twelve-bar blues in 6/8; the chord sequence is that of a basic blues and made up entirely of seventh chords, with a VI in the turnaround instead of just the usual V chord. In the composition's original key of G this chord is an E7. "All Blues" is an example of modal blues in G mixolydian.
        A particularly distinctive feature of the piece is the bass line that repeats through the whole piece, except when a V or VI chord is reached (the 9th and 10th bars of a chorus). Further, there is a harmonically similar vamp that is played by the horns (the two saxophones in the case of Kind of Blue) at the beginning and then (usually) continued by the piano under any solos that take place. Each chorus is usually separated by a four-bar vamp which acts as an introduction to the next solo/chorus.
         While originally an instrumental piece, lyrics were later added by Oscar Brown Jr.

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