SCHEHERAZADE
VIENNA PHILHARMONIC
ORCHESTRATED REGENT: VALERY
GERGIEV
SONGWRITER: NIKOLAI RIMSKY-KORSAKOV
BASED: ONE THOUS AND ONE
NIGHTS
COMPOSED: 1888
MOVEMENTS: FOUR
PRESENTATION:
SALZBURG FESTIVAL 2005
COUNTRY: RUSSIA
COUNTRY: RUSSIA
ALBUM: SHERAZADE
LABEL: RECORDING LOCATION: MARIINSKY THEATRE, ST. PETERSBURG,
RUSSIA
GENRE: CLASSICAL ORCHESTRA
YEAR: 2005
Scheherazade (Russian: Шехерaзада, Shekherazada in transliteration), Op. 35, is a symphonic suite composed
by Nikolai Rimsky-Korsakov in 1888 and based on One Thousand and One Nights,
sometimes known as The Arabian Nights. This orchestral work combines two
features typical of Russian music and of Rimsky-Korsakov in particular:
dazzling, colorful orchestration and an interest in the East, which figured
greatly in the history of Imperial Russia, as well as orientalism in general.
It is considered Rimsky-Korsakov's most popular work.
Background: During the winter of 1887, as he worked to complete Alexander
Borodin's unfinished opera Prince Igor, Rimsky-Korsakov decided to compose an
orchestral piece based on pictures from One Thousand and One Nights as well as
separate and unconnected episodes. After formulating musical sketches of his
proposed work, he moved with his family to the Glinki-Mavriny dacha, in
Nyezhgovitsy along the Cheryemenyetskoye Lake (near present day Luga, in
Leningrad Oblast. Though the dacha where he stayed was destroyed by the Germans
during World War II, its location was approximately 58°37'39.7"N
29°55'02.8"E). During the summer there he finishedScheherazade and the Russian
Easter Festival Overture. Notes in his autograph orchestral score show that the
former was completed between June 4 and August 7, 1888. Scheherazade consisted
of a symphonic suite of four related movements that form a unified theme. It
was written to produce a sensation of fantasy narratives from the Orient.
Initially, Rimsky-Korsakov intended to name the respective movements in
Scheherazade "Prelude, Ballade, Adagio and Finale". However, after
weighing the opinions of Anatoly Lyadov and others, as well as his own aversion
to a too-definitive program, he settled upon thematic headings, based upon the
tales from The Arabian Nights.
The composer deliberately made the titles vague, so that they are not
associated with specific tales or voyages of Sinbad. However, in the epigraph
to the finale, he does make reference to the adventure of Prince Ajib. In a
later edition, he did away with titles altogether, desiring instead that the
listener should hear his work only as an Oriental-themed symphonic music that
evokes a sense of the fairy-tale adventure. He stated "All I desired was
that the hearer, if he liked my piece as symphonic music, should carry away the
impression that it is beyond a doubt an Oriental narrative of some numerous and
varied fairy-tale wonders and not merely four pieces played one after the other
and composed on the basis of themes common to all the four movements.” Rimsky-Korsakov
went on to say that he kept the name Scheherazade because it brought to
everyone’s mind the fairy-tale wonders of Arabian Nights and the East in
general.
The Blue Sultana by Léon Bakst |
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