UTE LEMPER - ALL THAT JAZZ

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ALL THAT JAZZ

UTE LEMPER
SONGWRITER: EBB KANDER
COUNTRY: GERMANY
ALBUM: UTE LEMPER, CHICAGO ENSEMBLE
LABEL: DECCA RECORDS
GENRE: CABARET/JAZZ
YEAR: 1998
 
          Ute Gertrud Lemper(German pronunciation: [ˈuːtə ˈlɛmpɐ]; born 4 July 1963) is a German singer and actress. Her roles in musicals include playing Sally Bowles in the original Paris production of Cabaret, for which she won the 1987 Molière Award for Best Newcomer, and Velma Kelly in the revival of Chicago in both London and New York, which won her the 1998 Olivier Award for Best Actress in a Musical.
         Born in Münster, (Germany), Ute Gertrude Lemper was raised in a Roman Catholic family. She joined the jazz-rock music group known as the Panama Drive Band at the age of 16. Later, she graduated from the Dance Academy in Cologne and the Max Reinhardt Seminary Drama School in Vienna.
         Her diverse credits include musicals, such as her breakthrough role in the original Viennese cast of Cats, the title role in Peter Pan, a recreation of the Marlene Dietrich-created Lola in The Blue Angel, the original European Sally Bowles in a Paris production of Cabaret, and Velma Kelly in Chicago(Lemper has played the role of Velma Kelly in Chicago in both London and New York. She won the Laurence Olivier Award for her performance in London). She also dubbed the singing voices of Ariel in Disney's The Little Mermaid and Esmeralda in The Hunchback of Notre Dame for German-speaking audiences.
         In 1991 Ute Lemper participated in the Sanremo Music Festival with song The Photograph, written by Italian songwriter Enzo Jannacci.
        All that Jazz: The Best of Ute Lemper is a CD from the German singer Ute Lemper released September 1, 1998. The CD consists of 20 tracks that are considered the best of Ute Lemper.
Come on, babe
Why don't we paint the town?
And all that jazz
I'm gonna rouge my knees
And roll my stockings down
And all that jazz
 
Start the car
I know a whoopee spot
Where the gin is cold
But the piano's hot
It's just a noisy hall
Where there's a nightly brawl
And all that jazz
 
Slick your hair
And wear your buckled shoes
And all that jazz
I hear that Father Dip
Is gonna blow the blues
And all that jazz
 
Hold on, hon'
We're gonna bunny hug
I bought some aspirin
Down at United Drug
In case you shake apart
And want a brand new start
To do that jazz (skeedo)
 
And all that jazz, watch out, whoopee
And all that jazz
It's just a noisy hall
Where there's a nightly brawl
And all that jazz
 
Listen, uh, your husband ain't home
Is he?
No, her husband is not at home
Find a flask
We're playing fast and loose
And all that jazz
 
Right up here
Is where I store the juice
And all that jazz
Come on, babe
We're gonna brush the sky
I betcha Lucky Lindy
Never flew so high
 
'Cause in the stratosphere
How could she lend an ear
To all that jazz?
Oh, you're gonna see your
Sheba shimmy shake
And all that jazz
 
Oh, she's gonna shimmy
'Til her garters break
And all that jazz
 
Show her where to park her girdle
Oh, her mother's blood'll curdle
(If she'd hear her baby's queer)
For all that jazz
And all that jazz
 
Come on, babe
Why don't we paint the town?
And all that jazz
(And all that jazz)
I'm gonna rouge my knees
And roll my stockings down
And all that jazz
(And all that jazz)
 
Start the car
I know a whoopee spot
Where the gin is cold
But the piano's hot
It's just a noisy hall
Where there's a nightly brawl
And all that
 
So that's final huh Fred?
Yeah, I'm afraid so Roxy
Oh Fred (oh Fred)
Yeah?
Nobody walks out on me
Sweetheart!
Oh don't sweetheart me, you son of a bitch
Roxy!
 
I gotta pee
No, I'm no one's wife
But, oh, I love my life
And all that jazz
That jazz.

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