SUNDAY AT THE VILLAGE VANGUARD NOT NOW MUSIC 1
BILL EVANS
SONGWRITER: BILL EVANS & TRIO
COUNTRY: U. S. A.
HOW: INSTRUMENTAL
ALBUM: BILL EVANS TRIO
LABEL: RIVERSIDE RECORDS
GENRE: JAZZ
YEAR: 1961
William John Evans (August 16, 1929 –
September 15, 1980) was an American jazz pianist and composer who mostly played in trios. His use of
impressionist harmony, inventive interpretation of traditional jazz repertoire,
block chords,
and trademark rhythmically independent, "singing" melodic lines
continues to influence jazz pianists today.
Born in Plainfield,
New Jersey, in 1929, he was classically
trained at Southeastern Louisiana University and the Mannes
School of Music, where he majored in composition
and received the Artist Diploma. In 1955, he moved to New York City, where he
worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's
sextet, which in 1959, then immersed in modal jazz,
recorded Kind of Blue,
the best-selling jazz album of all time. During that time, Evans was also
playing with Chet Baker for the album Chet.
In late 1959, Evans left the Miles Davis band
and began his career as a leader, with bassist Scott LaFaro and drummer Paul
Motian, a group now regarded as a seminal modern
jazz trio. In 1961,
ten days after finishing an engagement at the New York Village Vanguard jazz
club, LaFaro died in a car accident. After months of seclusion,
Evans reemerged with a new trio, featuring bassist Chuck Israels.
In 1963, Evans recorded Conversations with Myself, a solo
album using the unconventional technique of overdubbing himself. In 1966, he
met bassist Eddie
Gómez, with whom he worked for 11 years.
Many
of Evans's compositions, such as "Waltz for Debby", have become
standards, played and recorded by many artists. Evans
received 31 Grammy nominations
and seven awards, and was inducted into the Down Beat Jazz Hall of Fame.
Sunday at the Village Vanguard is a live
album by jazz pianist
and composer Bill Evans and his Trio consisting of Evans, bassist Scott LaFaro,
and drummer Paul Motian.
Released in 1961,
the album is routinely ranked as one of the best live jazz recordings of all
time.
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