BENNY GOODMAN - ONE O'CLOCK JUMP

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ONE O'CLOCK JUMP

BENNY GOODMAN
SONGWRITER: COUNT BASIE; Eddie Durham & Buster Smith
COUNTRY: U, S. A.
ALBUM: COUNT BASIE
LABEL: DECCA RECORDS
GENRE: INSTRUMENTAL
YEAR: 1937
 
          Benjamin David Goodman (May 30, 1909 – June 13, 1986) was an American jazz clarinetist and bandleader known as the "King of Swing".
         In the mid-1930s, Goodman led one of the most popular musical groups in the United States. His concert at Carnegie Hall in New York City on January 16, 1938, is described by critic Bruce Eder as "the single most important jazz or popular music concert in history: jazz's 'coming out' party to the world of 'respectable' music."
          Goodman's bands started the careers of many jazz musicians. During an era of racial segregation, he led one of the first integrated jazz groups. He performed nearly to the end of his life while exploring an interest in classical music.
        "One O'Clock Jump" is a jazz standard, a 12-bar blues instrumental, written by Count Basie in 1937.
        The melody derived from band members' riffs—Basie rarely wrote down musical ideas, so Eddie Durham and Buster Smith helped him crystallize his ideas. The original 1937 recording of the tune by Basie and his band is noted for the saxophone work of Herschel Evans and Lester Young, trumpet by Buck Clayton, Walter Page on bass, and Basie himself on piano. The song is typical of Basie's Early riff style.       
    The instrumentation is based on "head arrangements" where each section makes up their part based on what the other sections are playing. Individuals take turns improvising over the top of the entire sound. Basie recorded "One O'Clock Jump" several times after the original performance for Decca in 1937, for Columbia in 1942 and 1950 and on a number of occasions in the fifties. "One O'Clock Jump" became the theme song of the Count Basie Orchestra. They used it to close each of their concerts for the next half century. It was reportedly titled "Blue Ball" at first but a radio announcer feared that title was too risqué.

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